I would like to know who were the inventors of these moves
-Spread Eagle
-Charlotte
When skaters started to execute spirals and step sequences?
Nowadays skaters come to a complete stop at the end of the rink and say, "OK, everybody, now I am going to do my FOOTWORK SEQUENCE....OK, it's over now, let's get back to the program." This seems like a new development.
I have another question. It seems just to me or is true that the step sequence Midori Ito did at the 1988 Olympics in her SP was particularly difficult compared to the other ladies at that time?
I liked very much the step sequence on just one foot that Irina Slutskaya did at the 2002 Olympics in her SP. Do you know if other skaters did also this kind of step sequences in the past?
Unfortunately we won't see it anymore. Why COP doesn't reward it? Isn't it more difficult?
1. Variety (complexity for Level 4) of turns and steps throughout (compulsory)
2. 4 changes of skating or rotational direction
3. Modest (full for Level 4) use of upper body movement
4. Quick changes from steps to turns
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One reason for stopping at the beginning of a step sequence is to make it very clear where it begins, so that the judges would know when to start judging (and now, the callers to start identifying) the sequence as an element as opposed to just random connecting steps, and to make it very clear that the sequence did complete the full length of the ice (or a full circle). No skater would want to have their step sequence overlooked because it wasn't identifiable as such, or given a deduction because judges only saw part of the pattern, and that did, and does, sometimes happen with more seamlessly integrated sequences.
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I can't help but think that body positions in figure skating were taken from dance movements, mostly ballet but a lot of character dancing, too. I don't think there was anything original in figure skating, but if so, pray name some.
BTW. What is a crooked leg spin? Is it a sitsspin with the free leg on the side of the body (that's an old roller trick) or is it the attitude spin?
I wonder how difficult it would be to judge a skater if he were to continuously do footwork interspersed with spins, jumps, and moves in field rather just stop and announce to the audience he shall now perform the requisite footwork?