
Originally Posted by
FSUSF
When Mao wore awkward looking costumes of her preference, it is known to be caused by weird Russian influence => TAT IS BLAMED
Even if they were Mao's choices, TAT is the one who has responsibility for the whole package.
Initially her SP was Capriccio but since she couldn't perform it well, Mao and her team decided to rearrange last season's LP Masquerade to SP version => TAT IS BLAMED
No, she performs it beautifully as her EX program. Mao didn't want to repeat the same music as the year before, but TAT concoled her by explaining she would prepare a different version featuring flutes/oboes (IIRC), but what came out was exacty the same version as the last season.
Among many candidates for LP, Mao chose Bells of Moscow because she liked heavy music => TAT IS BLAMED
On the NHK fluff, TAT said, in essence, she gave Mao this program for her to overcome her limits in artistry.
Mao's choreograph looked empty because she omitted most of it which TAT made for her => TAT IS BLAMED
Not empty at all. Those who only follow facial expressions tend to take it that way, but choreo is basically about how you densely edit the elements. Mao's program is so dense that it takes too much physical strength. What's wrong is that there's not the rythm of high's and low's, it's high tide all the way and this might cause the impression of monotony.
After being suggested to do more off-ice training, Mao shuts herself up in aurora rink => TAT IS BLAMED
TAT's sub-coach was always with Mao. So TAT has some responsiblility for this practicing sysytem.
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