Fair enough - and I will take your word on that.
I am getting more used to CoP and think some of the rule changes will be good. Sasha, if she returns will not like the spirals being changed but I think many were getting bored by the same three positions for three seconds. That is something Chen-Lu mentioned along with the levels on spins limiting the creative options for skaters and choreographers.
They are all trying to do the samething in order to score the most points.
I will admit I think CoP has been pretty good at getting placements right. No system depending so much on human judgement and character is ever going to be perfect.
Mathman, I'm going to explore all the stuff you posted later--I'm at work now--but I wanted to thank you for putting it in here. Somehow the beauties of math (of which I'm greatly ignorant, on a very low step of the pyramid as of yet, but I love the thought of them) seem to belong in discussions of both skating and music--oh, and quilting!--and when I read about them, they blend in with the way skating marks off time and space on the ice. Good luck on your paper about Fermat!
Thanks mm.
The character in the book is Swedish, and an anti social, self-taught high school dropout who
makes a living as a hacker under the pretense of being a private investigator. She does math puzzles for fun.
The revelation she experiences does not say whether she sees a true of false solution, just that she visualizes something that makes it clear the answer is puzzling to most because it is simple rather than complex.
I will let you know what she realized after May 25.......
Good luck with your paper and maybe you will let us know where to find it after if gets published.
Not that exaggerated, and uh yeah, I can say Sarah has been outskated; I bet many can. Figure skating is more than only about jumps--underrotated jumps, at that. As a casual skating fan who'd seen Kristi on TV in 1992, I watched with puzzlement and a little disgust when Sarah's obviously underrotated/sloppy jumps were apparently accepted. ("Skating going forward", my ***.) Her underrotations were obvious to me, a casual who'd never scrutinized the technical aspects of any programs, and not even in slow-motion! And why? Because they got in the way of me actually enjoying the performance as a whole. They were that distracting. I try really hard to steer away from criticizing any skaters because I know they're all just trying to do their best, but for whatever reason Sarah's Olympic LP bothers me a lot. She truly did skate freely--and recklessly, like she didn't give a hoot about anything, including polish and technique. I took it as an assault to my eyes and a lack of respect for the sport.
This is a very fair analysis. Thanks for highlighting Sarah's better qualities while admitting at least one of her flaws. This is the way to defend a skater, not overlook their shortcomings...
I agree with you on YuNa's 3-3's being the prettiest. I also (personally) consider Tara's 1998 LP the most technically demanding of any we have seen from the ladies, and also one of the freest and most joyful. Nice to watch, too.
miki and LayFan's feelings are exactly mine. I thought Shizuka's win was boring and the ladies event in 2006 as a whole was underwhelming, but at least she was pleasant to watch. (I think that year was the most disappointing for the ladies in recent memory.) Outside of that competition, Shizuka is impressive and beautiful. 2002 was more memorable for me, but for different reasons...
Thank you for highlighting all these differences when it comes to the pressure that was on YuNa at the Olympics. There is a difference between the subjective pressure someone feels and the external pressure that is on someone. Just because YuNa said she didn't feel pressure doesn't mean there weren't enormous expectations on her shoulders that perhaps other well-seasoned skaters would not have been able to carry. It's to YuNa and her team's credit that she was so-well prepared and in the zone. (As an aside, as evidenced by her SP, Mao was also, but it came a little too late in the season so she was less assured when it came time for her LP, I think.) On the other hand, the protests about how skating fans have no alleged right to say whether Sarah or other skaters didn't have much pressure on them...are silly. Because while we can't know how someone feels, we can say that the circumstances surrounding certain skaters appear to be lighter than for others.![]()
Darn it, Mathman.I loved Irina...and now I have to know how she may have won if the judging had gone slightly differently???
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as far as pressure goes--yu-na didn't have as much as michelle--
yu-na had a breather why- the cop in short gave her a lot of wiggle room to mess up in the long. just look at how badly she skated at worlds and she still got 2nd
under y6'0;s i doubt if she would have had that much wiggle room
but also--it was know that they was rigging the scores for yu-na since she jumped up the seniors-her and mao was the next it skaters--so they overlook their mistakes--which they didn't do for michelle in 1998 and 2002.
they overlook tara and sarah's and even irina's . but michelle mistakes was not overlooked and given the beneift of the doubt-i wouldn't doubt if the usfsa told them to nail michelle for everly ittle mistake and over look tara's for being the next sonja heinir (white) russia wanted irina overlook and the usfsa--didn't loke michelle not having a coach in 2002 so they nailed her..
if you don't think race plays a part-see gymnastics went back over 8 years to talke away the chinese gold medal --but what about paul hamms medal, patterson medal, michael johnson--medal with steriods.
in fact chinese when it comes to isu/ioc are more nailed than anyother nationality and race. sorry but in the olympics especially at the olympics politics and race plays a part.
they thought they could get more money for tara, sarah than michelle -who is chinese american--sorry --but it does play a part.
if they take out ethics in meetings, what part do they play in sport--none in ioc /isu/ if you aren't ethical you don't know how to play fair, above board-reproach.
unfortunately figure skating is subjective to begin with-so it makes it more imperative to be above reproach. but if the sport never was-how does it get itself to be that way--when all it waants is moneyno matter the cost.
>giggle<
Tell us all where to show up for this double ceremony (except I don't think there's a Math Nobel...what do math smarties get, the Fields Medal? Something like that), and we'll all come by to cheer your speeches. You'll be able to tell who your skating friends are; we'll be the ones arguing about the point value of the triple axel done in combination....
Here is a favorite of mine - it's Sarah's Wheaties Box (with the General Mills press release below the box).
"Hughes entered the long program in fourth place following Tuesday's short program. She embraced the challenge, turning in the performance of a lifetime by flawlessly skating the most difficult program ever attempted in the competition's history. Her brilliant routine secured the gold medal and a place in figure skating history for the 16-year-old from Great Neck, N.Y."
I saw this listed on ebay - but it was sold - for a whopping $8.50.
I guess RD beat me to it
http://www.mrbreakfast.com/cereal_uc...=396&picid=616
Well, I'd still like an answer since the math/stats geeks (fond word!) do come out on this board, how Hughes and now Tara would be scored under CoP. Well maybe the CoP students will watch these skates in their 'spare time' and give an idea. Bias and politics aside, it seems like it allows for more accountability from the judges and they continue to tweak it.
As for sheer artistry, I guess we get to watch the gala skates to see their identity or their pro careers (if there is to be much professional skating in the USA in the future). I find myself watching and wishing that the skaters I like had the place and opportunity to grow up and be their best as in the golden era. The current system and lack of funds seems to prohibit that, along with economy/decline in Television and show audiences. We will not likely see an American again like Kwan who competed and reached potential after 12 years. Times have changed, I reckon, for good.
A fair question and maybe some others can answer it much better than me.
I don't think so much about how their old programs would have been scored - I wonder more how much they would have changed for the CoP and how successful they might have been under the new system.
For starter's Sarah might not be trying 3Loops as the second jump in her 3x3 combos.
Both would have to be more concerned with edges and UR's. They would try to do the same spins as the other top skaters, the same spiral sequences, very similar steps, etc.
I think of the painting sketches that come with numbers that are color coded. You know - painting by numbers. The CoP is like "skating by numbers" and Tara and Sarah along with their coaches and choreographers would try to do things to score points under the new system. They would try to be as much like the other top skaters as possible. The judges seem to like that![]()
Last edited by janetfan; 05-13-2010 at 08:19 PM.
I leave work to Mathman, I m just here to collect the prizes.
Now i m used to Cop and i was watching 2002 again, I caught myself asking how they could even put the score in 6.0, it looks like I forgot it was placements rather than marks, so I was watching this competition and wondering why 5.7 instead of 5.8.It looked me like the overall impression was marked, nothing else. And didnt get if the deduction was on spirals or jumps, a mess! That happens if you are brainwashed with points difference and then you watch 6.0 judging!
In Hughes case by the way I remember in the sp the comments like 'she is gonna get an adge call" by hamilton or the lady, and the marks didnt show it.
The most annoying thing for me is seeing how badly so many gals do those same three spiral positions that only look good on Sasha, Alisssa, Mirai and Mao. Joannie modifies hers to her flexibility and so she looks ok. Kim does not have the line, straight legs, toe point and thus she looks a little less polished. I don't know how we can stop the cloning going on. Only in the footwork do we see some individuality. Sometimes I just get so frustrated at the "packed" busy programs that are required under CoP. Guess I enjoyed more of the old 6.0 programs more.
Hey, where's Fosse on this thread.
Fosse is the president of the Golden Skate Sarah Hughes fan club. She likes Emily, too. Hasn't been around for a while.![]()
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