I've read a number of posts here at this particular forum, and I've come to the conclusion that Oksana Baiul has not been given her fair due for the excitement that she brought to Ladies Singles skating in the mid-90's. In 1993 and 1994 Oksana Baiul was the most exciting Ladies Singles skater in the World - 2nd to none.
And less you think that I'm simply an over emotional Baiul fan, let me also tell you that in the last two decades Katarina Witt would have to rate on my list as having the most gravitas of all the Ladies Singles skaters. Not to take anything away from Michelle Kwan - she too will become legendary. Yet, Michelle is of an era younger than Katarina's.
Just due to the fact that a person is not old enough to remember a skater when that skater competed, does not mean that you toss away that skater's accomplishments. I was not old enough to understand the accomplishments of Carol Heiss, howevwer I certainly give Heiss credit were credit is due for her skating success.


, does anybody remember who skated in the penultimate placement during the ladies' finals at the '94 Olympics? I know Oksana skated after Nancy and some people felt Nancy might have won the gold had she skated after Oksana. As to how I feel about Oksana as a '90s skater, I felt her exhibition and pro programs were, in general, more sophisticated and beautiful than her competitive programs. The ones that stand out for me as remarkable for their artistry, choreography, and "goosebump" factor, at least when I saw them live (except one) with COI are "The Swan," "Meditation by Thais," "Arabian," and "Ave Maria," which I believe was only performed at show honoring Sergei Grinkov's life. I thought that in skating "Ave Maria" Oksana was at her absolute best--her body looked stunning, she seemed deeply enraptured with the feeling of the program, and while she only did single Axels and doubled a couple of other jumps, her skating was so fluid and seamless. I also feel this was her last great performance before her skating really started visibly sliding downhill due to her alcoholism and possibly the effects of an unhealed knee injury. I found it very sad because after Oksana left Galina, who did do some gorgeous programs for her, several of which are mentioned above, I felt Oksana worked with choreographers who gave her even more sophisticated and difficult choreography to do, but unfortunately she wasn't in the physical or psychological state to do them justice. She did two pro programs choreographed by Sarah Karahawa to music by Sarah McGlaughlin that I thought were exceptionally strong. One was also unusual as compared to classical or lyrical skating programs in that it was quite powerful and aggressive. Does anyone know the names of these programs?
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