Then you will see a lot of "skating through" the elements (or a lot of much simpler programs) because not falling but not even attempting the element is easier on the body than falling and getting no points.
There's a risk-reward proposition that must be fullfilled - there has to be a benefit to at least trying the element otherwise you end up with a World and Olympic Champion without a Quad in Men.
^^^^ Or Men skating like Ladies, who are getting all the opposite complaints these days about lack of high level jumps but staying clean winning the top prizes. Damned if you do............
Here is why falling is bad and full rotations are meh. Rotating in the air is not a skating skill. An acrobat could go out there in stocking feet and rotate in the air a bunch of times, winning big CoP points and never put on skates.
That's why backflips and weird moves like Michael Weiss' tornado are not scored. They are not skating skills.
Landing on an edge. That's a skating skill. :yes:
So do you believe that only things that demonstrate skating skills should be scored/rewarded?
Those who never take risks never win big.
Choreography isn't a skating skill. A dancer could go out there in stocking feet, perform a bunch of moves in the field and get a bunch of COP points. Choreography isn't a skating skill.
Intepreting music isn't a skating skill, etc.
I don't agree. Using your blade skills to interpret music and to translate the vision of the choreography is an important and traditional part of the sport. Falling down -- well, I guess that's part of the tradition of skating, too, but not in a good way.
While it might be a traditional part of the sport, I would like to see choreography eliminated because it really isn't a true element for the skater. You can say it is the skater translating the "vision" of the choreography, but it really is the choreography that's being marked. Since that usually isn't the responsibility of the skater, it seems irrelevant to me.
That's a good point. But the reason I don't mind a mark for choreography is this.
The coach or choreographer works with the skater to construct a program that is within the skater's skill set to perform, while at the same time pushing the skater to acquire more skills and greater mastery of the skills he already possesses. The most skillful skaters are capable of presenting the most intricate and subtle choreography. So in that sense I think rewarding the skater for taking on a substantive choreographic challenge and executing it with assurance and aplomb deserves consideration in the scoring system. JMO.
SkateFiguring said:Those who never take risks never win big
Thank you. That is the point I am trying to make.
By giving partial credit for falling on quads, you take the risk out.
I think you are undervaluing the competitive spirit of these athletes. They are not mathematicians . They will always want to go higher, faster, stronger.
My post was about taking smart risks, which requires calculation. Stupid risks guarantee losses.
There has to be some reward for such a difficult and risky element.
Credit Patrick Chan for leaving no choice for the ambitious contenders.
Unless the ISU takes a purposeful measure to discourage it, the standard is forever raised and a floodgate has been open, with a new generation of young guns capable and quads and intricate choreography coming up.
In contrast, there is no female Patrick Chan yet to do the same for the Ladies. Thus the opposite complaints and criticisms on these athletes. They are not going higher, faster, stronger.
Just training for (quadruple jumps) is a huge, possibly permanent, health risk with no guarantee of rewards.
I don't agree. Using your blade skills to interpret music and to translate the vision of the choreography is an important and traditional part of the sport. Falling down -- well, I guess that's part of the tradition of skating, too, but not in a good way.