Indeed, I'm one of the many fans who turns to Michelle skating Lyra Angelica for inspiration, generally the performance at 1998 Nationals. It's not just because the music and skating themselves are sublime. It also represents Michelle's comeback from her broken foot during a crucial training period leading up to the Olympics. This jubilant performance reminds me not to fold when things get tough.
I also find her Song of the Black Swan inspiring. To me this program transcends the requirements of competition. It creates a serene, light-filled space full of mystery and richness. In fact, though I've always loved Dvorak's chamber music, Michelle's program made me pay closer attention to the piano trio she used, and I often listen to that piece for inspiration. (She used music from the last movement.)
Both versions of Missing are tremendously inspiring to me, the one skated competitively by the Duchesnays and the one skated by Christopher Dean himself with his partner Jayne Torvill. I love Andean music anyway. The program Dean choreographed used that music to highlights a larger issue of the rights of humanity, showing the dimensions that skating can achieve when inspired creators are at work. Works like these prove that no matter how many decimal points we argue about, skating is not just a sport. At its best, it is a unique example of human endeavor.
The Duchesnays' version
http://www.youtube.com/watch?v=coM4d1CQZfs
Torvill and Dean's version
http://www.youtube.com/watch?v=9NJC_D8RLHQ
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