
Originally Posted by
Blades of Passion
I've always really liked this performance. It's the perfect example of the joy in skating that we've been robbed of with CoP. In comparison, Sarah Meier's winning performance at 2011 Euros was a really sad affair for me - terrible program and she was rather tepid throughout; she just happened to skate mostly clean during a competition where everyone else skated like poop.
You can see how much more effective Sebestyen's performance is in EVERY regard, a lot of which was because of the greater amount of freedom she had under that scoring system - the spins all worked much better with the music and as individual pieces of choreography, the footwork sequence was fantastic and FAST in a CLEAR LINE across the ice, the jumps were huge and she attempted EVERY different Triple jump (as compared to Meier only doing Lutz, Flip, Salchow), the spiral sequence was better (Sebestyen achieves a nice position and doesn't have to hold it for 6 seconds for no reason), and throughout the whole performance the choreography was interesting and right to the music. Look at all of the little steps she does that interpret music, including the backwards steps throughout the program that form a cohesive whole and give the program character. CoP has no room for that with all of the required spin positions and required body convulsions in the footwork...too much time needs to be dedicated to those elements instead of other movements. Sebesyten even has better transitions in that 2004-era program as compared to Meier's program (which had NO transitions directly into any elements), LOL!
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