Do you even know what transition means? Transition includes choreos, edge changes, steps. ect.I quite agreed with British Euro's commentator's opinion on Mao's LP “just Up and Down, up and down before the step..”
And as someone else pointed out, the program is physically demanding. There are no breaks.
Those who strongly feels this LP don't have the emotional pull, fair enough, I am not even going to bother convince you otherwise since at least to me, this is clearly not the direction this program is about. Adios wasn't originally conceived as a eulogy and was written some 5 years ago prior to the composer's father's passing as a fusion of Jazz and Tango, certainly one only need to hear this particular Jazzy music edit on a visceral level to know the team are going for a decisively modern take to refocus on the skating rather than the all too obvious (and therefore cheapened) sentimentality. I am a big believer in the strength of concepts and the quality of decisions to create any piece of creative work are just as valuable than the superficial rendering of it, and Yuna Kim's programs continues to provide me the bests.
In this rapid paced internet age under anonymity, it provide people a false sense of entitlement to toss any fickle minded self absorbed drivel through sheer volume, but they are too often of little value (it is the top 10% quality thoughts that keeps me coming back), especially when someone's 'blessed ignorance' can be just as valued as someone else's real 'knowledge' and 'insights' regardless the quality of their education or life learning experience. They are usually short sighted and lacks in context, or at worst, agenda driven. It seems all a bit of a pointless exercise in the end, other than let the work speak for itself: at the Olympics, beyond the Olympics to see how will this piece of work be truly appreciated and understood on its own merit, and whether this program will outlasts those who recycled their 'greatest' programs this year.
I will say this, just like my gut reaction tells me Les Miserable will be an amazing classic EPIC at its first inception for the history of ladies figure skating in that little arena that only fit 300 people. Or that Gershwin is the most sophisticated program that evoke such strong feelings as if I have witnessing the very peak of virtuosity done as effortlessly and naturally on ice as humanly possible - before I am even aware who is Kim Yuna is or the score been announced. Or that her Homage deserve to win WC2011 solely on the merit of that program, despite of its somewhat puzzling reception at the world championship arena full of murmurs. I will stick by my opinion Adios will be the most amazing work of the highest order by an elite athlete / artist in every sense of the word, who reaches the full maturation to realise her craft on her own terms. Who does not compromise the integrity of her sport and arts to be popular, to be readily understood, to gain favours easily from the judges or the casual observers through familiarity and deliver what is expected. It seek beyond that. In more ways than one, SITC already proved Yuna Kim is fully capable to deliver the standard convention of what makes a classic lovely ladies program of the old worlds, but she chose not follow the same stance on her last program, why? After all, when all said and done, beyond the Olympics, beyond COP, beyond our life time, what are the true universal values of excellence for someone who have proved she can do it all and have done it all? What does skating for herself mean @ 2nd Olympics?
Art at its purist in ideology and execution does not conform to any standards of conventions. Art is not a popularity contest vote by democracy, nor created for entertainment or commercial values. It is certainly free from any established standard of cultural identity, or institutional standard of believes other than the laws which it need to abide by in order to thrive. Rather, at its core essences, it is about peeling away the layers of banality to advance with purest intentions to discover new truths and merits that are valuable to the artists while they seek new standards of excellence, of transcendence.
The most important pieces of art work of any great artist are rarely about any particular techniques, execution, imitation, composition, replication of previous successes, certainly not about any particular calculated intentions for mass appeal. The lower end of art spectrum are usually done through aesthetics superficiality, instant gratification through emotionally calculation but they lack in substance, essences and failure to harness real wealth of knowledge, experience and insights to 'critically' examine the quality of decisions to discover and realise a new type of work. Elite learning of the highest order is a solitary process of uncompromising self actualisation that is honest, authentic to the artist life learning, journey and experience. It is what rendered them unique individuals with unique perspectives and opinions. It seeks to break down barriers, to go outside the box, for liberty and be truly artistically free. Had the same tradition been followed again and again, art became stagnant, it is stuck in its ways, it might as well be dead.
Art when done well has the capability to expand intellectual horizons. It can expand the imagination, shook believes, cause self doubts, and takes you way outside your comfort zone. Artists should never be afraid to challenge perceptions by risks taking, have courage and experimentation to seek authentic realisation.
There are very few programs appeals to me in the true artistic sense of the word under this COP tick list system, but that hasn't stop me declaring these best programs this quad upon first viewings are Hanyu's Romeo and Juliet, Tessa and Scott's Carmen, Jeremy's Muse, Patrick's Elegie, Mao's Jupiter, Dai's 2011 programs. The one constant reason that keeps me watching this sport is Yuna Kim, always surprising, who's team continues to make bold choices, reinvent herself season after season, challenge audience's perceptions, step outside her comfort zone, not for the sake of reinvention, but about making the right choices at the right time. She knows herself, although always ambitious, she rarely over promise. Like all greatest artists, her arts has aspect of art imitate life, and her Adios certainly will be on her own terms. I am really looking forward to see if she can deliver as it is intended.
at least yuna didn't run to her old programs.. and chickened out.. lol.. at least she's taking a risk with this music cut of adios which is not even a crowd pleaser.. when i saw her lp again through other fan cams.. w/ more close ups you can tell the program has promise.. if she can put more fire into it..