I disagree with this. I think the 6.0 system, if anything, was inscrutable in that everyone knew 5.1 is worse than 5.9, but no one could explain why a certain skater deserves 5.1, and another a 5.9. It was the ballpark of the worst degree.The 6.0 system, though not as simple as it looked, was still accessible to fans and created drama. Remember when fans used to hold up placards with 6.0s on them? Is anyone holding up a 220 placard? That isn't even a good score for the men! The artistry of skaters like Michelle Kwan and Sasha Cohen is what held the fans' interest. Now, artistry is devalued and programs tend to look the same, with crazy spin positions and long and laborious footwork sequences.
Secondly, I disagree, as I already stated earlier, that IJS is producing cookie-cutter programs with no artistry. Cookie-cutter programs with no artistry are the DEFAULT of all figure skating competitions. If you claim that 6.0 produced interesting, artistic programs en masse, you're either lying or your memory is colored by nostalgic rose glasses. If you actually took the time to sit through 24 long programs, either under 6.0 or IJS, the majority of them will be similar, and forgettable. A handful would be memorable, a very small handful. This has nothing to do with the judging system. This has everything to do with the hard truth that only a minority of skaters have the talent to tell stories on ice, or the resources to hire good choreographers. Mediocrity is the default. It's not the system, it's the distribution of talent.