Re: No Question
sk8guy and nysk8r,
I think I'll take a stab at describing Lulu's Rach to you. I must say that if you can find the video 'Magic Memories on Ice #3 - An Unforgettable Season', buy it - it has this program in its entirety (along with Michelle's Salome and Rudy's Swan Lake at Nationals).
In her book 'A Passion to Skate', Sandra Bezic described the process in selecting the music for this program. They chose Rachmaninoff's Piano Concerto #2, Second Movement Adagio Sostenuto because they felt it was powerful and feminine. Lulu said she never felt more beautiful on the ice. I feel that the first part of the program she is searching for something, then she finds it and in the second part is expressing her joy and happiness in finding what she was searching for and is at peace at the end.
The performance at Worlds was incredible. She could do no wrong. Just before she got in her opening position, she just seemed so calm and relaxed. She was the defending champion going in, yet she struggled throughout the season - she lost twice to Michelle [at Skate America and the Champions Series Final (now the Grand Prix Final) where she was actually in the lead after the short and fell off the podium after the long] and was in second place after the short in Edmonton. When she was done, she received a standing ovation. I'll never forget her scream in the kiss and cry when she received two 6.0s for artistic impression. Peggy Fleming's comment: 'It was like she led us through a dream', which I feel is appropriate. If she had skated the same performance later in the group (she was second) I'm sure she would have received more 6.0s.
Back to the program: It was just a perfect blend of athleticism and artistry. The music was beautiful and there were no obvious, abrupt edits. It was all the second movement of the concerto. She had six triples and one double axel in the program. All the choreography matched the music - the footwork, the spins, the placement of the jumps (some landed at the perfect crecendo), and all of the little gestures of her arms, hands, and head. There were some interesting entrances into jumps, such as a spiral into the triple loop and a back bend into the triple toe at the end. She wore a beautiful burgandy velvet dress with NO SEQUINS.
Well, I hope this description helps a little bit. Gosh, I'm going to have to watch it when I get home from work!!!
Herm (sk8ngnutt)