Math, I am shocked!! Shocked that you don't feel sorry for poor Johnny. He'll get it together and show you!! I can't wait to see his new programs.Mathman said:IOther than that, I have to say, suck it up, John. Nobody wants to hear your moaning and bellyaching. hwell:
MM
soogar said:And still the bottom line is feeling comfortable with a program and landing jumps. I was having a conversation with a coach on COP and he said that you can skate with your hands by your sides and win if you're a good enough skater (he cited Brian Boitano). For all the posturing on points,the bottom line is that if you can have good choreography that reaches out the judges and the jumps are secure, you will win and/or place high.
Bowers said:Tatiana certainly knows how to rack up CoP points! So what happened to Johnny's choreography by TT? He sent off a tape and was told it was not sufficient, pointwise? And certain elements had to be reworked to gain points? I don't understand. But then again, I think I understand all too well. First, start with the music--decent music! Things will fall in place much more easily. And make certain that the person(s) that is choreographing for you is giving you the best he/she has. Make certain there are no split allegiances. Same with others whom you must depend on for advice! It's literally like walking through a minefield. Who is a real authority? Whom do I trust?
Flashback to 2003-4--Johnny's watershed year. His jumps were textbook perfect! And consummate artisty! The only thing he lacked was a quad! He was on the threshhold of making his mark. He suffered a slight setback with a so-so 2004-5 season. And now this! Needless to say, I'm furious that this has surfaced in an Olympic year. In some ways, he could be viewed as a victim. Maybe there's still time for him to salvage the situation. I hope so, and I wish him luck.
Vash01 said:I believe the choice of music is Johnny's. I don't understand all the negative comments about this music on the fs boards. It is a different type music but it does not mean it cannot work for him. He missed the jumps and finished 4th in both competitions at the start of the season; it had nothing to do with the music. He had the highest component scores at Campbells. You have to give him some time to feel comfortable with the new program.
Mathman said:I agree with Cianni's point. This might be what finally brings pro skating back. Competitive skating will become less interesting to the audience, and this will open the door to new venues featuring greater artstic expression.
MM
attyfan said:One thing that will help pro skating get a sudden rush, IMO, is that a lot of big name skaters, who have a lot of fans who will follow them, will probably be going pro after this season. These skaters will be remembered for their pre-CoP programs, so a lot of people will see the pro events and can tell others "no, this isn't like the Oly stuff at all". Maybe, if the pro skaters get together a new organization that will actually host and judge the events, the new group could get enough credibility to challenge the ISU (IMO, the WSF was really hurt by the fact that it had never hosted an event before it asked the IOC to dump the ISU)
Right On!! and that goes for any skater. Go with the feelings, and show it in the music.SusanBeth said:It may not have been prudent, but I love that Johnny said what he felt. Now, he needs to start skating what he feels.