- Joined
- Mar 23, 2014
But I would say that he has become rather too stuck in his ways and never really adapted to the COP era. I don't think he cares enough about packaging and artistry, and he has no problem stripping away all of a choreographer's touches until there is almost nothing left. I really do think Liza is limited by his approach. Maybe she would never have become the most artistic skater, but the right coach would help her develop the potential she had instead of staying in her comfort zone forever. I just don't see her leaving him.
It will be interesting to see what becomes of Liza N., assuming she doesn't get totally swallowed up in the mass of Russian youngsters. She has excellent performance skills already.
I admire Liza T. and Mishin's relationship, but after 2-3 years of stagnation/going backwards, skaters should make a change. If the change doesn't work out, at least you tried (this is how I feel about Gracie leaving Frank). Getting an entirely new perspective on her skating and training could refresh her and help her mental game, too.
Having multiple skaters with multiple Olympic and World medals makes someone a legend, IMO, even if maybe they aren't as good at their job as they used to be. Of course Mishin is a legend. So is Moskvina, despite her lack of success in recent years. And Frank Carroll. You're a legend for what you've accomplished in the past, not for what you're doing now, or in recent years. That's the entire point of a legend. Now, are Mishin and Carroll maybe not as good at their jobs as they used to be? Perhaps. Doesn't make them not legends. (I refuse to even suggest that Moskvina may not as great of a coach as she used to be...if she had younger students, we'd see her still coaching major successes!)