- Joined
- Feb 23, 2018
Why do so many people care about jump takeoff in women's figure skating (aka. flip + lutz = flutz)?
With nearly flat edge, even judges can't tell if it's inside or outside without video replay. Shouldn't people focus more on the more visible and important results of the technique like secure landing, height, frequency of success, and graceful minor movements before or after the jump? I know the jumps were invented to be performed in a particular way (in only 1 rev though) and most official sources say that you're supposed to perform it with inside or outside edge. However, I don't think there's any research on how to perform the jumps most beautifully for women, e.g. inside or outside edge but what angles, or whether that angle should apply for all women. As far as I'm concerned, those elite women are the ones at the frontier to experiment with the techniques for most beautiful programs and most graceful and reliable jumps for themselves.
It seems that in the past, the ISU was also quite fussy with this edge thing but has become more lenient with it recently. And I think it's a good thing. I watched Kim Yuna's 2010 Olympic LP and I don't enjoy it nearly as much as Medvedeva's and Zagitova's programs nowadays (or even Lipnitskya's Olympic team LP), probably because Kim spent more idle time before each jump trying to find the right momentum and the right edge.
With nearly flat edge, even judges can't tell if it's inside or outside without video replay. Shouldn't people focus more on the more visible and important results of the technique like secure landing, height, frequency of success, and graceful minor movements before or after the jump? I know the jumps were invented to be performed in a particular way (in only 1 rev though) and most official sources say that you're supposed to perform it with inside or outside edge. However, I don't think there's any research on how to perform the jumps most beautifully for women, e.g. inside or outside edge but what angles, or whether that angle should apply for all women. As far as I'm concerned, those elite women are the ones at the frontier to experiment with the techniques for most beautiful programs and most graceful and reliable jumps for themselves.
It seems that in the past, the ISU was also quite fussy with this edge thing but has become more lenient with it recently. And I think it's a good thing. I watched Kim Yuna's 2010 Olympic LP and I don't enjoy it nearly as much as Medvedeva's and Zagitova's programs nowadays (or even Lipnitskya's Olympic team LP), probably because Kim spent more idle time before each jump trying to find the right momentum and the right edge.