For me an “artist on ice” is not just someone who can emote well, but someone who can combine that emotion with creative and beautiful movement. IMO, Sasha did this very well. Not only did she immerse herself in the music, expressing herself through every note, but the moves that she incorporated with that emotion (the finishing touches of her pointed toes and her exquisite positions) were a work of art to me. I would say the same for Anissina & Peizerant (and M/D’s 1992 Olympic Long Program). A/P weren’t “beautiful” on ice, but the emotion combined with their creative moves was art to me. M/D’s “Dreams of Love” program from 1992 was IMHO a work of art – absolutely exquisite program, position after position along with the presence they exuded made this program amazing.
Michelle and Tara had great choregraphy and wonderful emotion – presence, but nothing about their skating (with the exception of Michelle’s spiral) was so beautiful or creative that it made me want to stop the program and capture that moment/s in time. With Sasha and the others mentioned above there were countless times throughout their programs that I wanted to do just that, stop the program and capture the moment in time. The best way I can explain it is that “moment/program should be on a wall somewhere.”
Thanks for your comments. Well, sounds like you have very high standards. Fair enough.
There is a difference between Sasha and Michelle and I can completely understand why some people might prefer Sasha.
For me, I would capture any second of Michelle's final footwork sequence in Tosca at nationals, especially the falling leaf split and just ... all of it. And the the middle footwork sequence in Rachmaninov in '98. Her spiral sequence in that program too - all of these girls doing ugly COP spirals sequences should look at what Michelle did in that SP. That's how it's done. No pitching forward to get your leg up a bit higher in the arabesque, no lifting your hip up to get your leg to your ear. Michelle may not have been a pretzel but the line between her head, back, leg and foot during her spirals were perfect. It was pure and uncheated. Actually, I'd have no problem putting that whole program on a loop on my wall. Not a finger or head position out of place....