- Joined
- Jun 21, 2003
Michelle's choreographer, Lori Nichol, was very much into unique music choices. She knew and cared a lot about music. I believe that her husband was a classical guitarist or something of the sort (?) and that she also had a professional musicologist on tap as a consultant. She herself had skated (as a professional) with John Curry's company, which was all about choreography and music.I second this. Just the other day, YouTube recommended a fan's compilation of Michelle's Top 10 performances (in the fan's opinion), which I bit on.
What struck me most was the quality and variety of music. Mostly the music was new-to-skating, although there were a few warhorses thrown in, I suppose. None of it was boring - it didn't drone on. Of course in her day, competitive programs didn't have lyrics, so maybe that helped.
When Michelle left her coaching and choreography team in 2001, saying that she "wanted to take charge of her own skating," her own musical tastes proved to be more traditional.
AI can certainly do this, although the quality of the result is up to debate. Way back in 1970 my office mate wrote his PhD thesis on comouter programs that composed symphonies. He had already got his master's dregree for programs that composed simpler forms such as rounds. The computer-gererated rounds weren't bad -- not exactly Dona Nobis Pacem, but a step up from Row, row, row your boat. This was 50 years ago. Presumably computer guys are better at it now.I'm waiting for the first skater to use AI generated music. I don't know much about AI, so I wonder if you could have it compose something original... "Give me a cohesive orchestral piece, consisting of a 25 second opening with brass instruments, transitioning to 45 seconds of a slower tempo featuring strings, gradually build over the next minute to a great emotional swell..."
Last edited: