- Joined
- Jan 11, 2014
Also, does the "precision versus abandonment" paradigm I've set up make sense to anyone else or just me?
I get what you're saying here and I agree with you and your examples. To me, it's kind of like 'giving one's all to the music and movements' and throwing themselves into the moment to express the music. The first thing that comes to my mind is Yuzuru's choreographic sequence at the end of his 2012 Worlds FS program, where he really attacks all his moves, hits all the musical accents and really conveyed the intensity of the music to the audience.
It's less schooled and rehearsed compared to someone like Satoko, where her performance is more measured and perfection is the goal. Every movement is very intentional and choreographed, down to the fingertips, and thus doesn't vary as much from performance to performance.
It's definitely down to preference which kind of performance people prefer. Like a singer from a rock band versus a more classical singer perhaps. I can definitely appreciate both types!
However, I do want to see what Satoko can do if she allows herself to let loose a bit more and focus on really letting the music flow through her body instead of putting on a perfect performance because I think that it will give her a more powerful presence on the ice since she has an introverted personality. Watching her new FS, her step sequence definitely has more zest but the rest of the program is still the same as before.
I wonder if having a more dramatic song choice or choreographer (like Tatiana Tarasova) will pull that kind of performance out of her.
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