Again, I disagree. Joannie’s use of her upper body and arms in her jumps is textbook good technique and the main reason she so rarely underrotates. I was just marveling at how quickly she’s able to rotate her jumps because of the great snap she gets with her arms on takeoff. When she does miss a jump it’s usually because the timing is off or she’s picked in the wrong spot, not because she’s tight or stiff in the upper body. A tight upper body is a good thing in a jump. The little flubs at the end of her programs this season are most likely just due to nervous adrenaline running out.
It's one thing to have the correct technique when executing jumps, quite another to continue that stiff, unmoving torso during the non-jump portions of the program. When Yu-Na and Mao skate, their upper bodies move gracefully as they skate, presenting a harmonious visual union of music and body position. Watch their shoulders in relation to their hips--they express the music with their upper bodies as well as with their arms. And they skate with such ease and flow!
Joannie appears very stiff and rigid by comparison, and apparently the judges see that as well. She seems to be so tense throughout her programs that I never get the impression of relaxation or ease of movement when I watch Joannie skate.
Again, you are a fan and you see the best in Joannie, as is your right. But I tend to look at her skating through the judges' eyes. There is a reason why Joannie doesn't get the high PCS scores that Yu-Na and Mao do, and it isn't entirely because of technical content.


then be disappointed in them when they dont place as high as you had hoped? :scratch:
This is actually the case. I don't post often, but my Canuck sense of “nice” was mortally offended. 

Oh God lets not have any more injuries. Isnt it funny I hold my breath during the side by side spins now. Ugh. 