- Joined
- Jan 6, 2007
Can I answer the question of the topic. NO. I don't know if the change was worth it. He's lost his Otonal which enhanced his already style. I believe Galina was trying to make him more bravuro with the use of so many mannerisms. Hard to tell if it worked in the GPs with Evan faultering. We'll see more at the Worlds.
Joe
Did the change help his artistry or his style? No, I don't think so. He didn't lose his grace, fluidity and elegance on ice, but the choreography of his programs, especially the long, doesn't emphasise his qualities and is rather simple. But I don't think he went to Mrs. Zmievskaya in order to improve his artistry. If you compare Johnny from the 2003/2004 and the 2004/2005 seasons with the Johnny today - then the change wasn't worth it. But Johnny didn't just have great choreography and programs during these seasons, he was also very consistent.
But in 05/06 and 06/07 he rarely had a clean long program and only a few clean shorts, he left out jumping passes, he fell, popped jumps, had scratchy landings... Even The Swan wasn't pretty anymore if he didn't land the jumps. I also have the feeling that Johnny loses the program if he does a major mistake.
After last season he probably had two choices: retire and skate lots of Otonals, Swans, My Ways and Ave Marias at shows and then go on with his life, become a designer etc. - or try to get back on track. He went for the last one and if you ask me if the change was worth it - I compare the last two seasons with this one and have to say - yes. Just seeing him skate a program without having to save every landing, watching the rideout of his jumps connecting with the fluidity of his basic skating - it was so worth it.
It is like playing the Moonlight Sonata - it doesn't matter how beautiful you can play the slow hypnotic parts, if you can't play the difficult fast parts - the magic is just gone. It can still be emotional and touching, but the magic of the Moonlight Sonata is that you have to have the technique for the bravura parts in order to make the touching slow parts shine.
(His zillion devoted fans will love him whatever.)
It's probably futile - but could you try not to make us sound like a bunch of screaming girlies at a Justin-Timberlake-concert?
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