Yes skating is expensive in general: Lori Nichol for example was charging around 15,000.00 for a LP last I knew.
If she charged Max even half that much for that junk Carmen FS he should have asked for a refund...
Yes skating is expensive in general: Lori Nichol for example was charging around 15,000.00 for a LP last I knew.
If she charged Max even half that much for that junk Carmen FS he should have asked for a refund...
Does anyone have a handy link to the Google sheet with all the programs from this coming season? I've forgotten to bookmark it and would appreciate it.
Edit: Found it.
How could you forget Poto??
edit: oops, found it ...
No, payment is decided by the time the choreographer works with the skater. If Aaron only got choreography in several hours or one day, there would be no way he would have to pay several thousands.If she charged Max even half that much for that junk Carmen FS he should have asked for a refund...
I would never forget POTO! Never.
I've been suggested to add Danse Macabre and/or Masquerade. Agreed? This would give us at least one more current Bingo stamp. What could I replace for one or both of them? Puccini, maybe.
No, payment is decided by the time the choreographer works with the skater. If Aaron only got choreography in several hours or one day, there would be no way he would have to pay several thousands.
Richer skaters can pay more ice time and more choreography time to refine their movements. But mostly it depends on the time the choreographer stays on the ice for the skater.
That's what I have always seen here.This isn't always true.
That's what I have always seen here.
Anyway, I don't think most skaters are willing to pay like 10.000 USD for choreography in a package like some people have claimed. Logical, if you were them, would you pay?
Paying by the hours on ice is still more reasonable.
Wonderful!
If you need another one, how about "I put a spell on you".
Especially since skaters insist on covers by Annie Lennox or Nina Simone, rather than the original Screamin' Jay Hawkins...:ddevil:
Was Moris' the original?
https://www.youtube.com/watch?v=u9pYDu9_RXs
(The second part of the program.) At least a) it's a bloke, and b) doesn't sound romantic.
This is great. Still, while I do understand why you added flamenco and Rachmaninoff, technically neither all flamenco music, nor every piece by Rachmaninoff can't be a warhorse in itself. It has to be specific flamenco music that has been used a lot or a specific Rachmaninoff piece, also used a lot, as there is a lot of flamenco music and a lot of pieces that Rachmaninoff composed. Theoretically, someone could choose a not so well known flamenco piece that has not been used in figure skating before, or a previously unused or little used Rachmaninoff piece. And then we would not be able to truly say that it's a warhorse, as flamenco music is just one of the music genres, just like pop, rock, blues, jazz or classical music (in a wider sense), and not all Rachmaninoff is the same. But, again, I understand why you did what you did here. A lot of skaters use flamenco music, and, I suppose, to many people it does sound all the same or at least very similar, and usually it makes for programs that are very similar in style + often those skaters/ their choreographers/coaches choose several flamenco pieces for their program, so it's difficult to say which particular piece is the main flamenco warhorse. As for Rachmaninoff, unfortunately there are just a couple of pieces that skaters usually use, but to name "all" two or three of them would take up too space.