- Joined
- Jul 29, 2003
bored today so decided to time the amount the men spent doing basic skating, poses, and jump set ups and comparing components. If there were steps or transitions into the jump, I stopped the timer into the steps but if not, the timer stopped at takeoff of the jumps. Posing, even for choreographic effect, was on the timer and same with basic skating that had only a couple minor turns. Except for Chan who didn't have a good skate receently, I only compared fairly well skated programs so falls don't have as much of an effect in the scores.
Hanyu - Semei - around 40 seconds, 96.62 at Olympics, 98.56 at GPF
Hanyu - Hope & Legacy - 45 seconds, 97.08
N. Chen - Mao's last dancer - 2:09 - 87.44 at Olympics, 91.84 at worlds
Uno - Turandot - 1:35 - 92.72 at Olympics
P. Chan - Hallelujah - 1:12 - 91.86 at Olympics
Fernandez - Man a la Mancha - 1:02 - 96.14 at Olympics
Boyang Jin - Star Wars - 1:52 - 85.76 at Olympics
The time alone isn't a great reflection of the quality of the programs since there were also vast differences in the difficulty, musicality, and expressiveness of the transitions and in the "basic" skating Chen and Jin skated on far fewer curves than the rest. Chen and Jin had the least difficult jump entries and transitions. I would say Jin was more expressive though Chen was slightly more polished.
The main thing of note is that Hanyu had 1:29 more skating content that was also higher quality yet his best only got 6.72 more points than Chen's best. Falling on a quad toe is worth 7.33 points.
With this scoring, can you really blame people for having minimal choreography content? Even with the proposed reduced quad values, the extra risk and difficulty of a full program gets you almost nothing. With the way judges are scoring, the difference the components makes to the top level is only relevant if everything else is almost equal.
1. Do you consider it a problem to have the technical outstrip the components so drastically?
2. What is the solution if you say yes to 1?
I would say increase the value of the components, except the judges seem to just use the components scores like ordinals. It really doesn't make any difference whether components are worth 10 or 15 if the judges score everything within a point of each other anyway.
Edited to add:
So I went to school today and found out that I was going to a class I wasn't enrolled in Came home and watched more of the Olympics - what a magical competition!
For those that are interested:
Mishe Ge - Meditation - 1:12 - 86.08 at Olympics, 83.56 at worlds
Kolyada - Elvis medley - 1:26 - 87.94 at Olympics, 86.12 at worlds
Zhou - Moulin Rouge - 1:29 - 79.92 at Olympics (shows that even I was blinded by the quad fest - didn't realize that he had more content than Chen)
Messing - Chaplin - :58 - 85.44 at Olympics, 83.14 at worlds
Zagitova -:42 - 75.03 at Olympics
Osmond - 1:18 - 75.65 at Olympics, 75.15 at worlds
Medvedeva - :41 - 77.47
Miyahara - 1:03 - 75.2 at Olympics, 72.52 at worlds
Kostner - 1:32 - 75.65
Sakamoto - 1:15 - 68.11
Hanyu - Semei - around 40 seconds, 96.62 at Olympics, 98.56 at GPF
Hanyu - Hope & Legacy - 45 seconds, 97.08
N. Chen - Mao's last dancer - 2:09 - 87.44 at Olympics, 91.84 at worlds
Uno - Turandot - 1:35 - 92.72 at Olympics
P. Chan - Hallelujah - 1:12 - 91.86 at Olympics
Fernandez - Man a la Mancha - 1:02 - 96.14 at Olympics
Boyang Jin - Star Wars - 1:52 - 85.76 at Olympics
The time alone isn't a great reflection of the quality of the programs since there were also vast differences in the difficulty, musicality, and expressiveness of the transitions and in the "basic" skating Chen and Jin skated on far fewer curves than the rest. Chen and Jin had the least difficult jump entries and transitions. I would say Jin was more expressive though Chen was slightly more polished.
The main thing of note is that Hanyu had 1:29 more skating content that was also higher quality yet his best only got 6.72 more points than Chen's best. Falling on a quad toe is worth 7.33 points.
With this scoring, can you really blame people for having minimal choreography content? Even with the proposed reduced quad values, the extra risk and difficulty of a full program gets you almost nothing. With the way judges are scoring, the difference the components makes to the top level is only relevant if everything else is almost equal.
1. Do you consider it a problem to have the technical outstrip the components so drastically?
2. What is the solution if you say yes to 1?
I would say increase the value of the components, except the judges seem to just use the components scores like ordinals. It really doesn't make any difference whether components are worth 10 or 15 if the judges score everything within a point of each other anyway.
Edited to add:
So I went to school today and found out that I was going to a class I wasn't enrolled in Came home and watched more of the Olympics - what a magical competition!
For those that are interested:
Mishe Ge - Meditation - 1:12 - 86.08 at Olympics, 83.56 at worlds
Kolyada - Elvis medley - 1:26 - 87.94 at Olympics, 86.12 at worlds
Zhou - Moulin Rouge - 1:29 - 79.92 at Olympics (shows that even I was blinded by the quad fest - didn't realize that he had more content than Chen)
Messing - Chaplin - :58 - 85.44 at Olympics, 83.14 at worlds
Zagitova -:42 - 75.03 at Olympics
Osmond - 1:18 - 75.65 at Olympics, 75.15 at worlds
Medvedeva - :41 - 77.47
Miyahara - 1:03 - 75.2 at Olympics, 72.52 at worlds
Kostner - 1:32 - 75.65
Sakamoto - 1:15 - 68.11