I don‘t see why that‘s such a bad thing to point out if it‘s.. well, true. I love many of the Eteri skaters, they are among my favorites and I enjoy many of their programs too. That doesn‘t mean that I can‘t see their weaknesses and especially the skating skills and posture are a part that would need more adressing. I think this can be pointed as long as it’s done in a respectful manner.
This thread often has a cult-like vibe, in my opinion. Noting an issue in a non-inflammatory way shouldn’t be incitement to scream “Says who? You?” As if posture training bands don’t exist. [emoji23]
Eteri and the Sambo-70 team are very, very good at showcasing the best of their skaters. While I don’t think they’ve developed any skater’s basic skating skills to a truly remarkable level, they do do an excellent job at hiding weaknesses, at least as much as they can. Which is where my deteriorating remark comes in: compare Medvedeva’s WC16 step sequence in the free skate to her WC17 free skate step sequence. Notice how her upper body is being used to complete the turns and her arms are extended in the direction of travel, as if she’s pulling on an invisible rope? It looks far more laboured an effort than just a year prior. Compare Zagitova at the Olympics to Zagitova now. Her posture during crossovers has always been a weaknesses, but that flaw has become much more apparent after her growth spurt, her skating appears much slower and more forced, and she’s using her upper body in the same way Medvedeva did in her last two years as a senior.
I’m not saying that these are irredeemable flaws or that they can’t be corrected. They are,
to me, a visible deterioration in skill — and not especially aesthetically pleasing flaws, in that the use of the upper body to complete turns distracts from the performance
for me. (Medvedeva and Zagitova also have stiffer knees than in their first senior years.)
As for Sasha, yes, she’s fine. Her edges during steps are clear and she’s quite fast. I’m not sure how well she’ll manage a change in height, which is when —
in my opinion — there seems to be a visible regression in skill. I am not
hoping for that outcome. It is something that concerns me because it seems to be something of a pattern. It is not an iron-clad law. I would be quite pleased to be wrong, but only time will tell. Especially since it’s clear that Sambo-70 is more focused on challenging new technical elements and landing clean run-throughs than edge classes. Which is fine. It’s a coaching choice. There aren’t, frankly, as many points in skating skills as there are in a clean quad jump. It’s not my preference, as I feel artistry is built on good technique in all aspects and that good technique enables artistry, but I don’t recall implying anyone had to hold my opinions.
(Also, I love Zagitova. The way she flicks her hand when landing a jump as if tossing it off to the audience is eminently rewatchable, especially in her DQ free.)
I‘m with you on Kanysheva. The two Alena K’s are my favorites juniors and Kanysheva has lots of endearing qualities about her that you already mentioned. She sometimes URs, though.
Almost everyone URs, to be fair, at least occasionally and especially toward the end of programmes. But if it becomes a chronic issue, I’ll be concerned. We have the same juniors, however. Kostornaia has simply phenomenal skating skills and an innate sense of music, a refinement on the ice, and I can’t wait to see her senior programmes. (I would love if she was able to revisit Adios Nonino. Tangos are tricky but Kostornaia has an excellent feel for tango.) And Kanysheva is just charming. Tarakanova, also — she has a certain “it” factour.
I have no crystal ball as far as Beijing is concerned. May the best lady win.