I just think it’s a bit strange when people judge a skater’s artistry based on their facial expressiveness - I think the body is a more important vessel for expressing music anyway - or equally, correlate how dramatic an expression is with how much a person is feeling. I think that even subtle expressions, like Alyona’s
here, can convey as much feeling as the more pronounced ones.
Anna and Alyona have very different styles. Alyona’s face doesn’t radiate with emotion like Anna, but she can still elicit those emotions in the audience, and that is the goal of any performer. Her posture, grace, and skating skills are world class and are all the tools she needs for story-telling. Both she and Anna are delightful to watch, honestly.
I must disagree with this, because you can see a clear change in upper body tension in the second half of Alyona’s Departure program. Her arm movements become more abrupt and aggressive - perhaps signifies the angel’s desperation as she starts to fall and and loses control of her wings - and her facial expressions more dramatic. After the combination spin, she throws down her arms and accelerates into the step sequence, wherein her movements are more frenzied and despairing, and she looks towards the sky, as a falling angel might do. Watching her short program muted, you certainly can tell when the music picks up speed and intensity.
She sometimes misses a few musical cues when she makes a mistake, but she has reasons for it - e.g. when she fell during the Russian Nationals, she had to complete the step sequence in order to get the points for it, which made her late for the last part of the program and couldn’t be helped. Even so, she skipped some of the choreography and caught the ending on time. That was very sensible and musically aware on her part.
In the words of Ted Barton, who was an amazing commentator for the Junior Grand Prix last season: “she doesn’t just hear the music, she feels the music.”
That is my take on Alyona!