- Joined
- Mar 16, 2019
No, it doesn’t have to be extremes. Even in such deep and complex topics things can be evaluated, you just need to have people who studied literature and film and art and dance for many years, and let them decide collectively what’s better and what’s worse in their respective field. Not regular folk, who consumes it, but those who understand nuances, the judging criteria and how to apply them best based on their experience.Well, I think it's only possible to say it in extreme cases, not comparing Shakespeare and Goethe, but Shakespeare and a newspaper reporter.
A ballerina can be technically better, then it is easy. But what about that elusive "soul" , how can it be the basis for judging? What theater is better, Bolshoi ballet or Mariinsky ballet? They say Bolshoi has the soul, Mariinsky the technique, but Uliana Lopatkina from Mariinsky is the very soul of ballet and Svetlana Zakharova from Bolshoi the best technician, maybe ever. Nothing will ever be tangible in artistry.
And TBH I hate Crime and Punishment, Dostoevsky's language and style on the whole. I will say the best master of Russian word is Chekhov. Put me on the jury together with professors who think Dostoevsky is the top of Russian literature, how shall we vote?
Discussing artistry on another thread I realised that there are all kinds of ideas about it. Many people think it is connection with the audience, charisma, emoting. For some, it does not even mean rendering complicated emotions, but just happily smiling and being charming. For others it is telling a story. While for me it is not only emoting but also full connection to the music, creating an image, deep understanding and rendering it through elements on musical accents together with aesthetically suitable movements and facial expressions. Others may have a different perception of artistry. And there is a question of taste, too. There are excellent accomplished skaters who are loved by many but don't touch the hearts of others. If it were simple to say who is better or worse artistically, why, then, all the fan wars? Fans first fall in love because they can relate to a skater and only after that they start looking for arguments in the technical subtleties.
It was a very long way to say that PCS can hardly be used to objectively reflect the artistry of the skater, they are a ranking tool, and when skaters/coaches complain about them, in my book it means they object against the given rank.
That’s why you can’t be put on the jury with professors, only professors are allowed there. Your vote would mean less, because you’re not an expert in the field, and they are.
Soul isn’t really a criteria in figure skating, performance and interpretation mean something else. Putting soul as a criteria would be pretty silly
I think it is possible to say who performed something better, and who interpreted their character/idea better, in a way of ranking them. It doesn’t mean it is an assessment of some deep innate artistry and one’s soul, that was never the purpose, everything is more on the surface than that.
I just think that in the current system, things are judged based on ranges rather than definite marks, and for example 8.50 and 8.25 would be within the same range of assessment. But how one decides between the two, that’s not decided or written, it’s intuitive, and it’s my problem with giving this part of the score such big weight.
