1996 Worlds: Men "rejudged" | Page 2 | Golden Skate

1996 Worlds: Men "rejudged"

I like these rescorings too but I think PCS is tough to judge. In 6.0, the performance and artistic flair or what they called presentation is v very far from it concept of PCs with skating skills and choreography- which I believe would include transitions. I think Elvis would have scored much better in IJS than in 6.0.
 
On the one hand, PCS is easier to judge in pre-IJS (or earlier-IJS-era) programs because we can just apply the current guidelines to whatever the skaters actually did. Unlike tech panel calls, or even GOEs in some cases, with PCS there aren't rules the skaters had to follow with specific right or wrong answers as to whether they followed them.

It does help to know whether step sequences or spiral sequences or choreo sequences should be considered as elements according to the rules at the time or as transitional content. But that's really more relevant in terms of whether to call them as elements. Now that there's no Transitions component, it doesn't make much difference to the Skating Skills or Composition components whether we consider a particular sequence of moves as a sequence element or just as part of the overall program choreography.

There are guidelines for what to reward. There were guidelines for the second mark back in 6.0 days. So if we're going to try to judge them ourselves, in historical programs or in today's programs, we should try to understand the guidelines from the year's rules we're applying (currently 2025-26) and do our best to apply them to the programs we're judging.

There's no right or wrong answer. We will disagree with each other. We will disagree with official panels when we mock-judge current programs. That doesn't make us wrong or the official panels wrong.

There could be "better" and "worse" approaches to scoring components, based on how well we each understand the current component guidelines and how much skating knowledge we bring to evaluating the skating.

Skating Skills is the hardest component to judge on video, because it's really hard to get a good sense on video of how fast the skaters are moving across the ice. (One clue -- how blurred out are the signs on the boards when the camera follows the skater to keep them in frame?)

It's also really hard to tell what the skating sounded like depending on the audio mix in the broadcast. Was it scratchy? Were there skids on turns or jump takeoffs that should have been clean edges? Were there good sounds of deep edges pressing into the ice. Sometimes we can't hear blade sounds at all over the music.

Understanding the pattern the skater made on the ice can also be difficult to appreciate on video especially when there are lots of changes of camera angle.

If I have a different impression than the official panel as a whole, I assume that I'm not seeing (or hearing) all the relevant data -- that "you had to be there."

For composition and especially presentation, we can get a pretty good sense from the video. But there are multiple criteria for each component, so different individuals on the judging panel, different posters here, might have different priorities as to which criteria to place the most weight on.

That's where subjectivity necessarily comes in. It isn't about whether we "like" a certain style of music or movement or performance quality, but whether we can apply the guidelines to whatever style the skater chooses to skate in, whatever program they chose to perform (and how they, their coaches, and choreographers chose to put it together). And which criteria we always focus on and which we only notice if the skater was blatantly superior or inferior on that measure.

I do think it's fun to try to apply the component criteria as well I can to what I see on video. And fun to hear what different posters thought of how the performances met the criteria, even if we don't necessarily agree.
 
Thanks for the explanation @gkelly
I am still questioning myself... Do you think some skaters from the 6.0 era would have done better in IJS in terms of PCS, considering the style of judging and skating of today. I suggested that Elvis would have done better with PCS under the IJS because often, he skated a strong technical content with a lot of pizzazz but he was far from the "artistic" style of skaters who seemed to earn top presentation scores under 6.0. For those skaters, often the second mark would be higher than the first. However, with Elvis, it's almost automatic that the second mark was lower than the first. Would a strong 2026 jumper get a lowered second mark in 6.0 while right now, they still get a score very close to the top artistic skaters based on the quality of their jumps etc ? Maybe it's a debate for another thread.
 
Thanks for the explanation @gkelly
I am still questioning myself... Do you think some skaters from the 6.0 era would have done better in IJS in terms of PCS, considering the style of judging and skating of today. I suggested that Elvis would have done better with PCS under the IJS because often, he skated a strong technical content with a lot of pizzazz but he was far from the "artistic" style of skaters who seemed to earn top presentation scores under 6.0. For those skaters, often the second mark would be higher than the first. However, with Elvis, it's almost automatic that the second mark was lower than the first.
Hard to say.

With IJS, the TES and PCS don't have much to do with each other. Judges aren't focused on balancing them against each other -- that's something that happens mathematically in the computer calculations.

Under the current scale of values and top jump content and the current PCS factors, anyone who does multiple quads successfully is going to have much higher TES than PCS.

With 1990s jump content, PCS can more easily determine the outcome.
(Or for 2020s women if they had the men's PCS factors.)

With 6.0, the actual scores weren't meaningful, just suggestive. But depending on skate order and how well everyone skated, judges might have had to give a higher second mark to a performance they thought was stronger in technical content than presentation, or vice versa, just to slot later skaters into the final placement they thought they deserved in that program.

In IJS judges don't have that level of control over the final results -- they're not told what levels skaters earn on their non-jump elements, and even if there were, there are too many different pieces that go into TES calculations for judges to keep track of them all and figure out where they need to score skater C to slot them between skaters A and B. They're supposed to just judge each element and each component on its own merits. Much easier to do that than to keep track of whether an edge call or a +REP on a jump is going to change the base value and factor that into estimating how far apart the TES might be for two skaters.

Do judges intentionally try to raise the PCS of great jumpers whose component skills are not as much of a strength them? Or do the judges evaluate the PCS of strong jumpers who are also pretty good at everything else, just not quite as good as they are at jumps, or as the very top exceptional PCS skaters in the world at that time are in PCS, as not much lower than those very best PCS skaters, taking into account the whole field?
I don't know -- I'm not in their heads.

Did 1990s judges reward things like body line (a weaker area for Stojko and Ito) more highly than 2020s judges? Probably, at least some of them.

Taking into account that even if we asked the most expert 2020s judges to rescore 1996 Worlds, they too would be hampered by trying to judge the skating skills on video, even if they had seen most of those skaters live on different occasions back in the day. But they would now look at the components with IJS eyes. So if they were going to judge those old programs by IJS, we'd expect them to value everything that's valued now.

So a skater like Stojko could be rewarded in each component for the areas in that components criteria where he was strong, and less so for the areas where he was not so strong. Many of which would vary somewhat from one performance to another.

Same for his competitors who might have tended to get higher second marks back in the 6.0 system.

But with few quads and few spins or steps above level B or level 1, hardly any of those skaters would earn TES that exceed the maximum PCS available for that program (50 for men's SPs, 100 for free skates), so the very best performances by all the strong skaters would likely be higher on PCS than TES, the opposite of what's the case today.

Would a strong 2026 jumper get a lowered second mark in 6.0 while right now, they still get a score very close to the top artistic skaters based on the quality of their jumps etc ? Maybe it's a debate for another thread.

Feel free to start one.

If we asked experienced 6.0 judges, either time travelers or judges who were trained under the old system and are still around, to judge today's skaters by 6.0, would they give skaters like Malinin and Shaidorov and Grassl second marks lower than their first marks? I think it would depend on the particular performance . . . and what scores the judges had already given previous skaters, who else they needed to leave room for later in the skate order. It could probably go either way.

Skaters who are doing quads but consistently earning PCS in the low 7s or 6s . . . probably yes.
 
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Likewise - to me you can really see who was ahead of their time by seeing if they would have gotten level 3s or 4s without the requirements. It’s why I loved Tim Goebel’s free in 2002 because he was doing transitions and field movements along with the quads. Or skaters like Kwan who spun in two directions. Or Slutskaya with the double Biellmann. Or Shen/Zhao’s forward outside death spiral. It didn't earn concrete levels or an specific number of extra points (it’s not like they suddenly would have been scored less without the originality) but it made them stand out and it was not easy to do.
Tim was a fantastic skater. He would of done really well in this system too.
 
On the one hand, PCS is easier to judge in pre-IJS (or earlier-IJS-era) programs because we can just apply the current guidelines to whatever the skaters actually did. Unlike tech panel calls, or even GOEs in some cases, with PCS there aren't rules the skaters had to follow with specific right or wrong answers as to whether they followed them.

It does help to know whether step sequences or spiral sequences or choreo sequences should be considered as elements according to the rules at the time or as transitional content. But that's really more relevant in terms of whether to call them as elements. Now that there's no Transitions component, it doesn't make much difference to the Skating Skills or Composition components whether we consider a particular sequence of moves as a sequence element or just as part of the overall program choreography.

There are guidelines for what to reward. There were guidelines for the second mark back in 6.0 days. So if we're going to try to judge them ourselves, in historical programs or in today's programs, we should try to understand the guidelines from the year's rules we're applying (currently 2025-26) and do our best to apply them to the programs we're judging.

There's no right or wrong answer. We will disagree with each other. We will disagree with official panels when we mock-judge current programs. That doesn't make us wrong or the official panels wrong.

There could be "better" and "worse" approaches to scoring components, based on how well we each understand the current component guidelines and how much skating knowledge we bring to evaluating the skating.

Skating Skills is the hardest component to judge on video, because it's really hard to get a good sense on video of how fast the skaters are moving across the ice. (One clue -- how blurred out are the signs on the boards when the camera follows the skater to keep them in frame?)

It's also really hard to tell what the skating sounded like depending on the audio mix in the broadcast. Was it scratchy? Were there skids on turns or jump takeoffs that should have been clean edges? Were there good sounds of deep edges pressing into the ice. Sometimes we can't hear blade sounds at all over the music.

Understanding the pattern the skater made on the ice can also be difficult to appreciate on video especially when there are lots of changes of camera angle.

If I have a different impression than the official panel as a whole, I assume that I'm not seeing (or hearing) all the relevant data -- that "you had to be there."

For composition and especially presentation, we can get a pretty good sense from the video. But there are multiple criteria for each component, so different individuals on the judging panel, different posters here, might have different priorities as to which criteria to place the most weight on.

That's where subjectivity necessarily comes in. It isn't about whether we "like" a certain style of music or movement or performance quality, but whether we can apply the guidelines to whatever style the skater chooses to skate in, whatever program they chose to perform (and how they, their coaches, and choreographers chose to put it together). And which criteria we always focus on and which we only notice if the skater was blatantly superior or inferior on that measure.

I do think it's fun to try to apply the component criteria as well I can to what I see on video. And fun to hear what different posters thought of how the performances met the criteria, even if we don't necessarily agree.
I think if I would of applied the pcs score particularly the skating skills portion.. No one would be over a 7 lol. I had to score it relative to other skaters in this event. I did find it tough to do. I love that some agree with the scoring and some dont LOL.. its just like a real event! ahaha
 
Would be interesting to score skaters from different eras on the same PCS scale. Which historical skaters would stand out for their skating skills?

Or, perhaps for composition, although the program layouts would have had different expectations based on the rules or common practices at the time.
 
Not sure if folks redid SLC 2002 scoring with new scoring but I would bet he would have placed higher with his 3 quads, and given Yagudin and Plushenko doubled.
IIRC the first version of the new judging system was tested on that competition and adjustments were made so that Goebel would not have placed ahead of Yagudin with the update.
 
I like these rescorings too but I think PCS is tough to judge. In 6.0, the performance and artistic flair or what they called presentation is v very far from it concept of PCs with skating skills and choreography- which I believe would include transitions. I think Elvis would have scored much better in IJS than in 6.0.
Possibly. But in the 1996 Worlds LP he did skate early and still earned 5.7-5.8 on the second mark. Men rarely earned 6.0 for presentation back then so 5.9 was kind of the ceiling. With that in mind, he was getting pretty good marks but below what a clean Eldredge or Kulik would earn, and I don't think he would have fared better against them if measured with a PCS mark. A lot of Stojko's jump set ups involve staking forward with him arms by his side, probably three or four periods in the program where he's just standing, and a lot of time on two feet in between the short flourishes of steps he'll do in between some elements. I'm surprised that people can watch Stojko, Kulik, and Eldridge at this event and find anything Elvis did better than the other two program-wise.
 
In terms of Composition at that competition, I've got to go with Kulik's short program. Aside from the setup for the triple axel combo, there's barely any crossovers in the rest of the program. Always something interesting going on and linking together elements like circular steps directly into double axel. Plus he was one of the few skaters to choose circular and serpentine step sequences, instead of a straight-line sequence for one of them, for which the rules at the time actually discouraged deep edges.

All of which probably says something about Skating Skills as well.
 
In terms of Composition at that competition, I've got to go with Kulik's short program. Aside from the setup for the triple axel combo, there's barely any crossovers in the rest of the program. Always something interesting going on and linking together elements like circular steps directly into double axel. Plus he was one of the few skaters to choose circular and serpentine step sequences, instead of a straight-line sequence for one of them, for which the rules at the time actually discouraged deep edges.

All of which probably says something about Skating Skills as well.
I actually thought Kulik was underscored most of the time because of his inability to skate clean programs. I'm glad he was able to put his two best programs together when it counted most. It's amazing how much speed he was able to generate and maintain throughout his programs without the need for a lot of back crossovers.
 
Skating Skills is the hardest component to judge on video, because it's really hard to get a good sense on video of how fast the skaters are moving across the ice. (One clue -- how blurred out are the signs on the boards when the camera follows the skater to keep them in frame?)
If the need isn't immediate (like it would be during judging), then an easier and more reliable way is to establish reference points (like two points on the boards that are easily identifiable) and see how many seconds pass for each skater to go from point A to point B.
 
Stojko competed at 1996 Worlds in Edmonton, placing 7th in the short program, 3rd in the free, 4th overall.

He did not compete at 1998 Worlds, after aggravating an injury during the 1998 Olympics. Maybe that's what you're thinking of?
 
IIRC the first version of the new judging system was tested on that competition and adjustments were made so that Goebel would not have placed ahead of Yagudin with the update.
I remember that, too. When the preliminary version of the IJS was tested against this actual competition, Goebel came out on top. The ISU felt that this was clearly absurd, so they tinkered with the IJS until it came out "right."

Thanks to Jersey1302 and to all contributors for a great thread. :rock:
 
I remember that, too. When the preliminary version of the IJS was tested against this actual competition, Goebel came out on top. The ISU felt that this was clearly absurd, so they tinkered with the IJS until it came out "right."

Thanks to Jersey1302 and to all contributors for a great thread. :rock:

That is so unfortunate. You almost wonder if Plushenko or Yagudin hadn’t doubled jumps or made technical errors in that singular competition if that might have laid the groundwork for quads being worth way more.

I know certain posters have rescored competitions with such blatant bias so that the numbers/results would be manipulated to whatever they wanted… but I didn’t think the ISU would have cut it from the same cloth. Oh, Tim. 🙄
 
That is so unfortunate. You almost wonder if Plushenko or Yagudin hadn’t doubled jumps or made technical errors in that singular competition if that might have laid the groundwork for quads being worth way more.

I know certain posters have rescored competitions with such blatant bias so that the numbers/results would be manipulated to whatever they wanted… but I didn’t think the ISU would have cut it from the same cloth. Oh, Tim. 🙄
Well, that takes us back to the quads vs. artistry (which really should be quads vs. everything else) from the other thread.

If you believe that he (or she) who lands the most quads should always win, then you want them to be worth enough to make that inevitable.

If you believe that quads are only one part of a well-balanced program and that all the other on-ice skills should factor equally in the scoring, then you'd prefer a balance that doesn't give that one, largely above-the-ice skill undue weight.

As of 2002, while working out the element values and GOE/PCS factors, the ISU clearly thought that other skills should count at least as highly as number of quads.

But further discussion of that topic should probably go back to the other thread.
 
I remember that, too. When the preliminary version of the IJS was tested against this actual competition, Goebel came out on top. The ISU felt that this was clearly absurd, so they tinkered with the IJS until it came out "right."

Thanks to Jersey1302 and to all contributors for a great thread. :rock:
I cant wait to do the 88 olympic one next. I'll prob finish it next week. Do you remember what event where Goebel came out on top when they tested the system was?
 
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