I can't do Biellmanns but I do other catchfoot positions and I think I only cut my finger once, just after a blade sharpening...As for gloves, I don't get it. When I used to do a Bielmann, I never cut my hands on the skate blade. Perhaps I rotated slower, or didn't extend my leg along my back in a full split - so perhaps it's more likely at a faster speed in a more contorted position? And rinks weren't as warm and heated as many are these days. Our hands were cold during competitions and club shows! It wasn't easy but there you have it.
The trend that I anticipate will soon become outdated is skaters using Daniil Gleikhengauz as a choreographer. If that does not happen, I at least hope judges do not award programs he has choreographed with PCS scores above 4.25.
I certainly hope this comes true! Either that, or the judges need to lower the tech scores for the poor "Port De Bras" positions from certain skaters. You can't just fling your arms over your head and call it a dance move.Ripponing EVERY SINGLE JUMP.
The way I see DG programs, his choreography is designed to max out the score based on the scoring rubric, so this is impossible by definition. I'd imagine he would quickly adapt if his programs started getting <~4.25 in PCS.The trend that I anticipate will soon become outdated is skaters using Daniil Gleikhengauz as a choreographer. If that does not happen, I at least hope judges do not award programs he has choreographed with PCS scores above 4.25.
I agree, but there's also another reason. While there are a few good programs with vocals, the majority are just lazy programs, skating to full length songs with little variety, just insert a spread eagle here, a spiral there and you're done with choreography. But I don't think this trend will end anytime soon.Vocals, full stop!
They should never have been allowed. It was much better when it was just instrumental music. Having vocals distracts too much from the skating.
It can be cringey yes. Like whenever I see a baby pairs or ice dance team skate to “Hey Big Spender” that’s very cringey to me. But it’s not the lyrics fault.I like vocals but not always, and sometimes it can be cringey when a 15-year-old skates to rather 'adult' vocals. I would hope for a bit more appropriate choices on that score. I do join in with the 'anti-voiceover' crowd. I wouldn't mind one or two programmes with them, but currently there are so many of them that it really gets to you in a negative way. The same actually applies to costume changes. It was fun and unexpected when Laurine Lecavelier did it with her Grease programme, but when it became a trend it started to detract from the skating. Again, this also applies to sliding moves. I enjoy watching sliding moves but they have become quite excessive in some programmes.
We are of a certain vintage and didn't catch the wave of Moulin Rouge when it was in theatres. Transpotting, however, was another matter (the soundtrack in particular). So at our house it's always amusing to hear what we cannot help but imagine is Mark Renton emoting.Given that it has been around for 20 years, I don't think it will become an outdated trend. But, we can live in hope!
ROOOOXXXXXXAAAAANNNNNEEEEE!!!!!!
Both Tango versions that we have had to suffer our way through....
But, no, they keep reaching for Mr. McGregor or that screeching woman.
CaroLiza_fan
I LOVE vocals. Agree to disagree
I agree, but there's also another reason. While there are a few good programs with vocals, the majority are just lazy programs, skating to full length songs with little variety, just insert a spread eagle here, a spiral there and you're done with choreography. But I don't think this trend will end anytime soon.
I like vocals but not always, and sometimes it can be cringey when a 15-year-old skates to rather 'adult' vocals. I would hope for a bit more appropriate choices on that score. I do join in with the 'anti-voiceover' crowd. I wouldn't mind one or two programmes with them, but currently there are so many of them that it really gets to you in a negative way.
The same actually applies to costume changes. It was fun and unexpected when Laurine Lecavelier did it with her Grease programme, but when it became a trend it started to detract from the skating.
Again, this also applies to sliding moves. I enjoy watching sliding moves but they have become quite excessive in some programmes.
Absolutely!But, the biggest problem that has come out of the introduction of vocals is copyright claims on YouTube. Back in the days when we had just instrumental music, this was not a major problem. The only time a skating video would be zapped would be if it contained coverage from certain broadcasters who were being over-zealous in protecting their TV rights; or if it was an exhibition video. And in the case of the latter, they were getting zapped because most of them contained full songs.
So, the chaos we have been experiencing since the introduction of vocals with programme videos and competition streams getting zapped left, right, and centre, was entirely inevitable and foreseeable. And it could have been avoided if the ISU had the foresight to realise the implications that allowing vocals would have on the ability of fans to watch the sport. But, this is the ISU. They have no foresight.