- Joined
- Nov 3, 2006
Earlier on, someone started a thread about an article in which Rodnina said Piseeyev should resign. Today , this is featured on the BBC website :
http://news.bbc.co.uk/2/hi/europe/8543560.stm
I'll be watching for developments with great interest , since for some time I've felt that Russia has not been doing itself any favours by determinedly defending the status quo in their skating culture. If something is criticized, or not well received by the rest of the world, they simply dig in their heels and produce even more of the same. They don't seem to embrace change or growth.
Before anyone jumps on me with both feet (ouch!) , I'm sure this is true to a degree, in any country's skating hierarchy,( of course the premier coaches and choreographers would rather not make room for new comers, or adapt to new criteria , but in the end, there's really no stopping progress ) In Russia's case , this seems so much more evident ( dramatic?) .
In Ice dance, for example...I don't know all of the circumstances that led to North America lucking out when Igor Shpilband (now joined by marina Zueva) began to work here , but one wonders if lack of opportunity in Russia played a part.
I wonder if we're not seeing the kind of world wide flowering that happened in Ballet when Diaghlev et al left Russia for Paris.. If so I hope that Russia is quicker to pick up on new possibilities now than it was then. Everyone will benefit.
http://news.bbc.co.uk/2/hi/europe/8543560.stm
I'll be watching for developments with great interest , since for some time I've felt that Russia has not been doing itself any favours by determinedly defending the status quo in their skating culture. If something is criticized, or not well received by the rest of the world, they simply dig in their heels and produce even more of the same. They don't seem to embrace change or growth.
Before anyone jumps on me with both feet (ouch!) , I'm sure this is true to a degree, in any country's skating hierarchy,( of course the premier coaches and choreographers would rather not make room for new comers, or adapt to new criteria , but in the end, there's really no stopping progress ) In Russia's case , this seems so much more evident ( dramatic?) .
In Ice dance, for example...I don't know all of the circumstances that led to North America lucking out when Igor Shpilband (now joined by marina Zueva) began to work here , but one wonders if lack of opportunity in Russia played a part.
I wonder if we're not seeing the kind of world wide flowering that happened in Ballet when Diaghlev et al left Russia for Paris.. If so I hope that Russia is quicker to pick up on new possibilities now than it was then. Everyone will benefit.
/\ No doubt ,about the narrative (ahem) Own the Podium..so to speak.