- Joined
- Jun 21, 2003
An extra topic has come up on this thread, but I want to chime in on Lucy's comment about matching spotlight moves to musical climaxes. I agree with Excidra that this is something that Sasha does not pay much attention to.
This is quite strange to me, because I would think that this would be Choreography 101. Yet Sasha's choreographers -- and she has had access to some of the best -- do not seem to try to take advantage of the music.
About Michelle holding the second edge of her change of edge spiral, in exhibitions and on tour with COI she still gives us the whole nine yards. I have read that she deliberately shortened the time spent on this move in competition, because once you hold it for the required number of seconds, you don't get any more points after that, so you have to rush on to the next element.
MM
This is quite strange to me, because I would think that this would be Choreography 101. Yet Sasha's choreographers -- and she has had access to some of the best -- do not seem to try to take advantage of the music.
About Michelle holding the second edge of her change of edge spiral, in exhibitions and on tour with COI she still gives us the whole nine yards. I have read that she deliberately shortened the time spent on this move in competition, because once you hold it for the required number of seconds, you don't get any more points after that, so you have to rush on to the next element.
MM
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