Joannie's update on her blog.
http://www.joannierochette.com/journalentry08.htm
http://www.joannierochette.com/journalentry08.htm
Looking back at the last 2 seasons, if I want to achieve better results in the future, I sure have to work on building better momentum for next year by performing two strong programs in a couple of competitions in a row. And in my mind, momentum is extremely important in today’s skating. It impacts the way you see yourself, the way you project yourself and the way others see you. To be seen as a contender, you first have to see yourself as a contender and strongly believe you are one. I think the only time I was able to relatively do that was with 4 Continents and Worlds last season and it resulted in a 5th place finish in Sweden, my best result ever at Worlds with programs that could have been better.
It might also be because of a habit to intellectualize everything and my need to feel “mathematically” solid with a new element – 3 flip-3 toe to name it – to be aggressive with my skating and have the necessary freedom to deliver the way I should, the way I can, like in exhibition for instance. It might also have to do with age since, at 22, I think it is getting harder to get the confidence to upgrade significantly your technical level and trust your capabilities.
Consequently, I believe momentum has a lot to do with the program component score (PCS) you achieve. I feel like my relatively erratic performances through the competition I made never provided me the appropriate momentum to score higher in that department.
To put things into perspective, I also have to say that we kind of “sacrificed” the last two seasons on getting confident with my 3-3 combo for the short program particularly.
At the end of last season, with my 5th place finish at Worlds and my Grand Prix season in mind, we sat to analyse what was missing to my skating to reach an higher level. The conclusion was obvious. I have to improve my components. Since it would be too easy to blame it only on momentum, we went much further in our reflexion. We consulted many people and came to the conclusion I had to work on my upper body. I was kind of obsessed with having the best posture possible. It definitely made me stiff with my upper body and kept me away from using everything I could to relate better to the music, the audience and, of course, the judges. Believe me; we took that into consideration in the development of this year’s programs!