BoB, while I agree with you about the 3loop and the 'little running movements' which were lovely, I must say all the other changes capture the 'nuances of the music' as hongligl and lavender said, having much more refined layouts that leave more room for her to feel/express the music. In the old version she would often be in the middle of an element while the tone/melody changes. The new version is much more sensitive to the changes, giving an impression that the moves capture the music rather than just being there with the music on the background.
>jump jump jump
Aside from the placement of 3 sal and 3loop I don't see much difference in the jump layouts and the transitions. If anything she added an moves in the field element after 3luz. And I'm personally glad the spread eagle was taken out before 3lutz as I was never a fan of hers which isn't nearly as deep nor of great impact as Shizuka's or Brian's. (A shorter spread eagle is now in the setup to 3sal)
>spins
The new first combo is much better as the changes of positions synch with the music perfectly, ending with the beautiful Y position at the climax, then gently starts the next move when the new melody begins (again, in the old version she's still in the middle of the spin). Ditto the second combo.
>the footwork sequence
Again the new one is done so well to the crescendo I absolutely love it! You interpreted it 'suddenly cut' while I think it's more effective. I never liked step sequences that go for tad too long.
> the short spiral at the end vs. a long spiral
I think benefits outweigh the negative(s). It's a 'choreo' spiral named for a reason which is not supposed to be a point getter move anyway. This choreo ends the program just so nicely- and the new ending pose holds the moment much more gently whereas the old ending with the spin combo seemed rushed.
I have way too much time at work today
P.S. Olympia, genki and Tinymavy15, your statements are much more shorter and succinct so I'll just say ditto!