Joesitz said:
She remains for me, just another wunderkind with about as much maturity as the 3 previous teenyboppers who did nothing more than skate on a sugar rush giggling all the way through. Artistry? Most senior ladies do not have it, imo. One thing about Mao, her future looks much brighter than the previous 3.
I would agree about Baiul (very sloppy technique) and Lipinski (not as sloppy but technically off in some ways) who got some big wins with competitive nerve and youthful enthusiasm instead of real, you know, presentation. I don't think I'd include Hughes in that group. I thought she always skated a lot 'older' than her chronological age and didn't come across to me as a teenybopper (wasn't she the tallest one on the podium in 02?)
In a way, that made her disappearance from skating that much more disappointing. Her general demeanor was so much more mature than either Baiul's or Lipinski's. Unfortunately she got a bug in her brain about wanting to go to college at exactly the same time all her friends were going (like it was going to go somewhere) and by the time she decided that ordinary life was ... ordinary her technique was absolute gone and couldn't do anything more than a double.
I still haven't seen Asada skate but from reports, I don't care how many triple axels she has (believe it or not I love triple axels from ladies), she doesn't have a friggin' toe loop or a salchow! This is not a complete senior skater even if the deficincies of COP let her rack up the points.
First points of business for modifying COP:
- Zayak rule for Slutskaya positions (I refuse to call what Slute does a Biellmann)
- Zayak rule for 'level four' spins (only one per program) and footwork sequences (again only one allowed)
- jump distribution rule (ladies get some extra points for having 5 different triples, men get some extra points for having 6)
- triple/quad Zayak rule (quads count toward the Zayak total for a given triple jump, do a 4/3 toe loop combination and you're done with toe loops for that program)