Hi all,
I usually just read the boards, and don't post much, but this issue is close to my heart, and I have to put my two cents in. I am the mom of a former competitive skater, and have been watching skating since I was a little girl. My first favorite skater was Janet Lynn, to give you all an idea of how long I have been watching.
The problem with pro skating these days: a catch 22. There are no opportunities for pro skaters, because there are no new skaters turning pro. There are no new skaters turning pro, because there are no opportunities.
The late 80's and early 90's were the golden age of pro skating. The skaters went to World Pros and the Challenge of Champions with their best stuff, and really took it seriously. Back then, of course, a skater could lose their eligibility by taking anything worth more than $25 dollars, so they HAD to go pro. You trained, got as high as you could, and if you were lucky, had a pro career. American skaters would never stay eligible after medaling at an Olympics, because you couldn't expect mom and dad to keep footing the bill for your training. Boitano has said many times that he really didn't want to turn pro in 88. His family had been footing the bill for long enough, and it was time to start making money.
IMHO, the reason the rules were changed to allow skaters to make money was not to help out the skater, it was to help the ISU maintain control. The pro events were very well attended, and the pros were talking about organizing. The pros were starting to have control, and the ISU wanted to stop that. The mid 90's were an abberation, with the public not being able to get enough skating due to the Tonya-Nancy thing. Most of the events were silly, and the public eventually tired of it.
In the meantime, there were no new USA skaters turning pro. Why turn pro when you can stay eligible and get paid for apearances, make commercials, and win prize money for competing in the Olympic ranks. The new pros were mostly from the old soviet countries, and they weren't always able to capture the American audiences.
When your highest profile skaters stay eligible (Michelle Kwan) or stay in the not quite eligible but not pro status (Todd Eldridge for those years) of course people will watch the eligible competitions more than the pro events.
What killed the World Pros, again IMHO, was the year that they opened it up to the eligible skaters. The highest profile USA skaters (Yamaguchi and Boitano) stopped competing, because it was no longer truly a pro event.
Now, the pro opportunities are shows, and the pros have to compete with the eligible skaters to be invited to shows.
The reason you see the same pros over and over is due to the fact that IMG has so much power. Most of the pros are IMG skaters, and if you are not, you basically don't get work. (Except for Boitano, who has no formal represention.)
The skaters DO use the same programs over and over, because as anyone who has ever skated knows, it takes months to perfect a program and make it audience ready. If you are on tour, and preparing for multiple shows (say, all the IMG skaters who are the SOI crowd) you just don't have time to have a lot of different programs.
The eligible skaters use the same program all season as well of course, you have a short program and a long program, and probably an exibition program or two for competition gala's and tours if you are lucky enough to be invited to be on it. For some reason that doesn't seem to bother the audience, but heaven forbid the pros use the same programs over and over...
The most successful North American pros are still the classes of 84, 88 and 92 (Hamilton, Orser, Sumners, Witt, Boitano, Kadavy, Browning, Yamaguchi, and Wylie.) These skaters (except for Browning) all turned pro BEFORE a skater could make money in the eligible ranks. (I am not including the Russian pros, Ilia, Katia, Viktor, Oksana, etc, I am talking about the Americans now.)
These skaters all took their pro career extremely seriously, and still do. They were (and are) successful as pros because they were grateful for a way to make money after working hard and having success in the amateur ranks. It was the way they paid the bills, and you needed to work hard, and keep up your technical content, so people would pay to see you skate.
Now success in the eligible world is the reward in itself (read $$$$) These skaters think of the pro world as a place to have fun and relax when you are done competiting. This view is not wrong, just a different way of approaching the pro world than when you couldn't make money competiting.
Besides putting a dagger in the heart of pro skating, the fact that skaters no longer HAVE to go pro have changed the face of eligible skating in the USA. It is hard for the up and coming skaters to be able to have their day in the sun, because the old champions never leave. Again, I am not saying this is good or bad, just that it is a fact of life in the new world of skating.