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No any new info are written.but jut let you know.
No any new info are written.but jut let you know.
thanks. I really would love to see her on the olympic podium. She has had so many good moments in her career, not got really unlucky in 2006.
My dream podium:
Sasha
Mao
Miki
I hope she stays healthy and top her career with an olympic medal(possibly a gold medal).
i already have so may favorite for the medals that i hope they have 2 sets of medals in each category at the olympics.
Uh, Ando has one World title - and Kim and Asada are so much more successful with - oh, wait: also one World title each. Kim may have two Bronze medals in comparision to Ando's one and Asada may have a Silver in contrast to Ando's Bronze in 2009 (though I thought that Ando should have not only won the free over Rochette, but also overall placed better).It is funny for me because I like Miki - and see talent, talent, and not enough results to match the talent. I can imagine Caro fans might feel the same way at times
Uh, Ando has one World title - and Kim and Asada are so much more successful with - oh, wait: also one World title each. Kim may have two Bronze medals in comparision to Ando's one and Asada may have a Silver in contrast to Ando's Bronze in 2009 (though I thought that Ando should have not only won the free over Rochette, but also overall placed better).
Swan and his Phantom of the Opera.
Not every Morosov program is automatically crap (can you say that on Goldenskate?), not every Wilson program is the next coming and not everything Nichol does for the ladies is pwetty pwincess and boring.
We will see what happens in Vancouver. Personally, I have very little belief in this "Russian magic" of taking a skater someone else has trained and then "making them a champion." I think so many "people" hear like to criticize Frank Carroll. LOL - all he has done is taken little ones and taught and developed them into champions. There is one heck of a difference in training and taking a skater to the top - as opposed to taking a skater Miscin trained and then taking the credit for their championships 1-2 two years later.
It is pretty clear - some coaches can train and develpop champions and others can't. Like vultures, they are there to pick off great talents and then after a year or so take big credit. That sums up Tat pretty well, no?
And I really don't think that Morosov's choreography is that bad. I rather liked it, for both the Saint-Saens free and the Geisha short. It's not less original or generic than Nichol.