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Do you know what a comparison is?
A comparison would be saying that X is like Y in some way.
X is more interesting than Y is a judgement in contrast, or how two things are DIFFERENT, which is the opposite of a comparison.
Maybe it's time to stop? Please?
Marin has been trained and choreographed (SP) by Russian very own Zueva, so we may call her "Marinochka". :agree:I like Marin. She is Japanese princess![]()
Thank you for definition.
And I say again, and again, and again: replace the word "Russian" with "Japanese" in those discussed posts and imagine your own reaction. It should be simple for you. Please, do it.![]()
I am pretty different from a man with Down Syndrome, so it wouldn't surprise me if people found him speaking from his experiences to be much more interesting than me, because all I do is talk about figure skating.
If you were to say that talking to me is just like talking to a man with Down Syndrome, that would be a comparison, and that might not be nice. The post we are discussing, however, did not say that the Russian ladies are just like monkeys.
Uhm, I'm thinking it's about time for another 'what does the balletic tradition in Russia look like' and 'what is the symbolic code of gestures from Russian dance and theatre traditions' discussion. [AlexD please do .....]
Or even a more general 'what is ballet' discussion. Pretty dancing or skating with good extension, elegance or grace is not the definition of 'balletic'.... [mrrice please weigh in...] Ballet can be very challenging aesthetically and not 'pretty'....
I can't comment at all on how the ballet tradition has been received and adapted in Japan, but atsumiri and lilahozi please do not try to redefine ballet to a narrow range of expression that is very remote from the richness of the Russian and Eastern European schools and tradition.....
So you just can't to not root for them :luv17:Also agree that lilahozi's nasty generalization about the Russian ladies' programs is completely false and subjective, and certainly out of line in a thread dedicated to Russian ladies.
1) Show me the receipts. Prove it's a "generalization" (which does not equate to cherry-picking a few select examples that buck the trend), and that my statement is COMPLETELY false and subjective.
2) Why is it out of line? Is this a praise thread? Or is this a thread that's suppose to analyze the State of Russian Ladies' skating?
Oh, and about boring programs. I said many times that for me Alina's FS is very boring. It's spin+stsq and jump-jump-jump. So what? Marin's program for me are boring too. But they are both so cuteSo you just can't root for them :luv17:
Every single one of the Russian ladies' programs is distasteful? Really? You want to maintain that as objective fact? For one thing, taste is mostly subjective.
We can analyze to death all we want. I don't think "All Japanese ladies programs are more tasteful than all Russian ladies programs" is very analytical, do you? It seems more deliberately inflammatory than anything else.
Junior Japanese programs may lookalike to you, but they're heck of a lot more tasteful than the Russian programs, which are all over the place.
Every single one of the Russian ladies' programs is distasteful? Really? You want to maintain that as objective fact? For one thing, taste is mostly subjective.
We can analyze to death all we want. I don't think "All Japanese ladies programs are more tasteful than all Russian ladies programs" is very analytical, do you? It seems more deliberately inflammatory than anything else.
This implies that you mean "all."
Why compare nationality to nationality at all when they are all so individual and different?
I would love to see them skating one after another.... it would be amazing!In terms of actual analysis, I'd love to analyze Marin Honda versus Anastasia Gubanova. Both seem to be universally loved and praised for poise, musicality, projection, etc. That would be a rivalry to rival Plushenko v. Yagudin and Mao v. Yuna because of the incredible talent on both sides. (Team Anastasia FTW).


Does Eteri have some kind of a secret machine that is producing those beasts?

She teaches them how to be mentally strong. They love to compete. They don't afraid of competitions... because they compete with each other every day at practice.I don't judge her programs as they are, but I am trying to put them in a larger context. Alina to me is a better, although unpolished and unfinished yet, version of Medvedeva. It's something that has a potential of going to even a larger dimension. That's why I don't see as it is now, even though I still love it, but what she may become the next year. I thought Medvedeva is beyond reach until I saw Alina. And they come from the same camp, from the same gym. They sweat together. And there are even more of them coming! I am amazed!
Does Eteri have some kind of a secret machine that is producing those beasts?
At least the other posters were bringing up some specific criticisms of specific skaters. "Japanese ladies all look the same and very boring" is a blanket insult.
And samkrut cited Marin Honda as an example, which is productive and worth discussing (though maybe not in a Russian ladies thread) and I do happen to agree with what samkrut said about Marin - she could use more interesting/creative programs to really highlight how special her skating is.
Just saying what you said, as if it's an objective fact, is just being inflammatory. (Though lilahozi was being slightly rude as well).
You brought this up the last time the topic of "being balletic" arose, but I never saw any specific examples regarding how the Russian ladies are being balletic as you define it.
Many of us have experience with at least viewing ballet, including great admiration for the Bolshoi ballet, which is by the far the most famous example of Russian ballet, and that influences ballet all over the entire world. Extension and attention to every little movement, from toes to fingertips, is central to ballet, whether it is aesthetically pleasing or not, it is aesthetically interesting.
Other balletic traditions exist in Russia, but classical is the most famous and it is inextricably linked with Russia specifically, because of the fame of the Bolshoi. There's nothing wrong with associating "balletic" with the Bolshoi and with Russia, since it's so famous.
Sure, we aren't all ballet scholars, but that doesn't make our associations with ballet and the Bolshoi and Russia completely stupid or ignorant. I'm a literary scholar, but I completely understand why people might see Robert Frost or Walt Whitman as completely representative of American poetry and might not know about the important influence of lesser-known American poets. Rather than informing them that they don't know what they're talking about, it might be helpful to point out specific poetic techniques from these lesser-known authors and show how they have influenced more recent works.
Examples would help immensely with what you're trying to communicate.
No, that does not imply "all". That implies "on the whole".
Nation vs nation might vary on an individual level, but there are themes that exist on the overall level. I've observed that ON THE WHOLE, Japanese ladies skaters exhibit attention to polish and refinement that I don't see the same level of in their Russian OR AMERICAN OR CANADIAN (so you don't throw out accusations of me being anti-Russian) counterparts. I only called out Russians before since this is a Russia-related thread and Russia has a stronger ballet tradition than the other 3 nations.
Personally, I find it intriguing to see what different skating elements each country/federation emphasize in their skaters, which reflects each federation's current skating "philosophy".