I thought morninglight was comparing the very recent Chukyo gala(in the youtube link) to the recent past season. I agree--there are a lot of changes for the better in a short time, but not with jumps. She fell on a double axel in the gala, but I liked the performance.
Yes, I was referring to the Chukyo Gala! Thank you for pointing out!! I have just made changes to the first post accordingly.
During the 2005-6 season, Mr. David Willson made very beautiful programs for her. But she didn't really seem to be into it.
During this past season (2006-7), her long program was so much focused on jumps at the sacrifice of all the choreo that could have been done. It worked well for her to come back as a strong skater. But I did not really enjoy the roughness in her moves, the lean posture, and stiff, straight arms.
In the recent gala performance that I cited, however, she seems to be paying much more attention to all the details. The choreo for this piece seems to be very wise. It constantly tells her to "look up" and "straighten up". It also encourages her to use the head, the neck, hands, and fingers to express the music.
Of course, this is a gala performance and she doesn't do jumps and other difficult stuff. So it may be more difficult to keep those attentions to details in competitions.
But I was impressed to see that she seems to be working on it very hard
P.S.
I'm an architect (which is supposed to be a kind of an artist?

), so I can imagine that some contrast and highlighting is needed within her spectrum of nuances from powerful to delicate; but since I'm knowledgeless in skating, I've no idea how to define it on ice.
Thank you for your wonderful post, sorcerer.
A lot of people liked her powerfulness that she presented in her SP during this past season. But I felt that her attemps to be powerful in SP and LP sometimes ended up being rough and stiff, which seemed to be associated with some problems in her overall posture, the positions (esp. arms), stretch, and extension. As layman has said, skaters are usually encouraged to build foundation in ballet (and other dances). With basic foundation in dances, every position and move of the skater comes to look beautiful.
But she herself would be very much aware of these things. Further, Mr. Morosov seems to be an excellent dancer to help her out. Now that she has all elements back, I would look forward to seeing her bloom more and more in her presentation
