If you want formalities (I remind you, all these bullets it's
recommendations cuz, you know,
"General recommendations are as follows:"), then we have:
"Long preparation -2 to -3"
You think that it's not too much "Long preparation"? Okey, give -1, but
you must distinguish this type of performing a jump, from type of performing with normal, natural preparation like, for example,
Akatieva's 3Lz (GOE 1.65) because otherwise it's just not fair. In real life, if you see a person walking a tightrope with ease, almost dancing, and a person walking slowly with his arms outstretched you immediately say "the second one is less professional, his sense of balance is less developed". And here, suddenly, you do not see how Gubanova extinguishes all the micro-vibrations of the body (when she "freezes" and goes in a straight line), mentally focusing on remembering the feeling "do it as in training". I'm sorry, but I can't ignore it. And for me it's outrageous that for this 3Lz give 1.53 GOE when Akatyeva's 3Lz give 1.65 GOE a day before .
And as for me such centuries-old "frozen" skate on direct lines for half a rink should be reduced PCS. Because I don't see a whole performance. I see "gaps". I see an artist who inspiringly and convincingly read his lines - " Three thousand devils! Musketeers! One for all and all for one!" but immediately after this, the fencing scene began and he fearfully, slowly, mechanically makes fencing techniques, with relief finishes this difficult task and again inspiringly continues "Friends, we have won! The cardinal's guards are defeated!" To hell with this theater. This is the 21st century, not this grandmother' skates along the sides of the rink from the 20th century.