Pairs FS Worldwide: The Divine Discipline | Page 12 | Golden Skate

Pairs FS Worldwide: The Divine Discipline

In fact Barbara Wagner and Robert Paul introduced the death spiral, which was a Canadian invention.

Further checking uncovers the fact that Wagner/Paul did not introduce the death spiral, and it was not a 'Canadian invention.' According to Wiki's entry regarding the origins of the death spiral, it was Germany's Charlotte Oelschlagel and her husband, Curt Newmann, who originated the death spiral move during the 1920s. However, it doesn't indicate whether they performed the move competitively. Perhaps they created it for shows/ exhibitions. Of course, Oelschlagel is famous for her 'Charlotte' move which was revived by Michelle Kwan in the 1990s.

Per the Wiki entry, a Canadian pairs team, Suzanne Morrow/ Wallace Diestelmeyer, are credited with performing the first one-handed death spiral. Thus, apparently Oelschlagel and Newmann originated the death spiral move utilizing two hands. None of this was I aware of. I'd always thought the death spiral was a move invented by Russians, Belousova/Protopopov, who revolutionized pairs skating in the 1960s, with their balletic aesthetic.

Thus, it's likely more accurate to say that Canadians, Morrow/Diestelmeyer, furthered the development of the death spiral by performing it one-handed. Wagner/Paul would then have followed in Oelschlagel/Newmann's and Morrow/Diestelmeyer's skate tracks by continuing to further develop the death spiral. Above all, as Wiki notes and as fans witnessed in the 1960s, it was Belousova/Protopopov who made significant advancements toward the growth of the death spiral as a standard pairs element, via their creation of three variations:
"the backward-inside, forward-inside and forward-outside death spirals, which they originally named the Cosmic Spiral, Life Spiral and Love Spiral, respectively."
 
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Just have to pipe in here. Although I was never some major skater, I had the great good fortune of being taught by several notable Canadian skating coaches. Wallace Diestelmeyer was one of them. He was a treasure. I was much younger when I went to his service after his passing on. When I was a kid I had no idea how major some of my coaches were. He was so special.
 
A post by Vanessa James, praising her training mates Matte/Ferland. If I'm not mistaken Deanna/Maxime also train at the same rink, but I guess they are more direct rivals than the younger, Matte/Ferland:

Kirsten Moore-Towers posted something similar about appreciating her training mates, Walsh/Michaud, on the same day:

On a recent episode of TSL, the host tried to make drama out of these innocuous posts, suggesting that KMT was trying to one-up Vanessa. I doubt that. The fact that the posts appeared about an hour apart on the same day seems to me more like a possible coordinated p.r. move encouraged by Skate Canada in order to promote their top senior pairs teams. The only mystery perhaps is why Deanna/Maxime weren't included.

Kirsten has also posted a clip from her & Michael's new sp, choreographed by Mark Pillay:

KMT/MM look good, inspired and sharp. It's a new take/ new look for them with this program, which causes me to wonder why they didn't branch out a bit more sooner choreographically. I guess they felt it was working with Julie Marcotte, but why not switch things up sometimes for at least one of their programs? They were doing that this season by working with Eric Radford for their initial sp, which they dropped obviously due to not wanting to compete against Eric & Vanessa directly, using a program choreographed by Eric.

Mark Pillay is a creative choreographer who knows his stuff. He's done wonderful work with a number of singles and pairs skaters, including Roman Sadovsky. KMT previously worked with Pillay when she was partnered with Dylan Moskovitz. Pillay's movement aesthetic looked good on KMT when she was with Dylan, and it looks good now. It never hurts for there to be close competition domestically. It helps push everyone to work even harder to improve.

The first group photo of Kirsten with Trennt hugging her, and Michael with his arm around Evelyn's shoulders as all four of them huddled close together is really nice. Seeing Kirsten with Trennt though, again reminds me of a Canadian fan saying awhile back that he hoped Kirsten would skate with Trennt when she and Michael retire from competition. As a result, I can't forget that suggestion, because I think Trennt and Kirsten would make a good pairing. The age difference is what made the possibility of them skating together earlier, not feasible. Kirsten was looking for a younger partner when she decided to split with Dylan, but Trennt was too young at the time, and skating in juniors. Still, K&T both have great pairs skills and seemingly might have exuded a bit of spark and magic together. I don't think it would ever happen at this point, so it's a pipe dream. I also think that Michael would perhaps have been a good partner for Evelyn.

KMT/MM have said they plan to retire. And we also expect James/Radford to call it a day competitively after the Olympics, although it might be nice to see Vanessa return to France for Worlds in 2022. These two retirements, if they happen after the Olympics, will once again have Skate Canada on the rebuilding path for their senior pairs. This is another reason why SC seems to be going for broke this season with supporting James/Radford coming together for a veteran comeback push. With J/R and KMT/MM in the mix, it's entirely possible for Canada to grab 3 spots for Worlds in 2023. However, it's the U.S. with the stronger senior pairs division who actually need the 3 spots for Worlds going forward. If Canada regains 3 spots, it would benefit Deanna/Maxime, Walsh/Michaud, and either McIntosh/Mimar or Matte/Ferland.

Walsh/Michaud, no matter how gritty, competitive and improved, would not be as close to the top at 2022 Worlds in the same way that James/Radford could achieve in tandem with KMT/MM.
 
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Here's a lovely article/interview of Tamara Moskvina from a few days ago. Among many other subjects, including a summary of her skating career from the beginning, she's asked what she sees have been the effects of the IJS scoring. Also this self-description:

"My whole life I have considered myself as being just average and not very capable. I took a long time to learn anything, and I didn’t have good hearing. Because of this, the only thing I could do was to train more and to repeat things more"

 
Quick thoughts on the Russian pairs at test skates:
I'm still obsessed with M/G's SP, it's so fun and exciting and interestingly choreographed. The FP is so disappointing tho, the music really brings them down. Last year's innovative moves are this year's recycled choreography, and none of it relates to this music.
T/M looked lovely in the SP, the music matched well with their style, I quite enjoyed it. But the FP music is so boring, I'm sleeping by the end not cheering.
I didn't like either of B/K's programs. There's no swan lake inspired choreography in the SP, or spanish inspired choreography in the FP. The only memorable moment was when K drapes B over his back and does the ugliest spiral position, so...not great. Such a let down.
 
Quick thoughts on the Russian pairs at test skates:
I'm still obsessed with M/G's SP, it's so fun and exciting and interestingly choreographed. The FP is so disappointing tho, the music really brings them down. Last year's innovative moves are this year's recycled choreography, and none of it relates to this music.
T/M looked lovely in the SP, the music matched well with their style, I quite enjoyed it. But the FP music is so boring, I'm sleeping by the end not cheering.
I didn't like either of B/K's programs. There's no swan lake inspired choreography in the SP, or spanish inspired choreography in the FP. The only memorable moment was when K drapes B over his back and does the ugliest spiral position, so...not great. Such a let down.
Let’s not find Russian pairs disappointing just yet. I saw this music announcement on FSU today:

Daria Pavliuchenko & Denis Khodykin
SP: "Be Italian" (from Nine) by Fergie
Choreographer: Betina Popova

I absolutely cannot wait to see this one, and if possible, it makes me love them even more than I do already!
 
Quick thoughts on the Russian pairs at test skates:
I'm still obsessed with M/G's SP, it's so fun and exciting and interestingly choreographed. The FP is so disappointing tho, the music really brings them down. Last year's innovative moves are this year's recycled choreography, and none of it relates to this music.
T/M looked lovely in the SP, the music matched well with their style, I quite enjoyed it. But the FP music is so boring, I'm sleeping by the end not cheering.
I didn't like either of B/K's programs. There's no swan lake inspired choreography in the SP, or spanish inspired choreography in the FP. The only memorable moment was when K drapes B over his back and does the ugliest spiral position, so...not great. Such a let down.

I agree completely. I said in post #214 in this thread how disappointed I was in Michina/Galliamov's FP, but I used stronger language and too much of it! You expressed my thoughts (above) better than I did! I still feel the same after yesterday's skate. I mean, the elements are in the same order and almost exactly the same as last year. I have relented a little because I know that Moskvina will add little bits of choreography and transitions, and she'll most likely change some up entirely over the months ahead, and I'm sure it'll improve.

But that doesn't change the basic fact that I don't feel the music fits them, nor will it show their brilliance to advantage or even adequately. Like you, I'm obsessed with M/G.

In my earlier post, I linked the choreo to their personalities, and I maintain that position. Part of what's so charming about M/G is that they really put 100% into expressing the choreographic details. So they deserve to have it bring out their best. TSL said something like what I feel in yesterday's video. To put it in my own words, It seems as if, for both M/G and B/K, she tried to "grow them up" by giving them something serious (esp. M/G). But actually, last year's programs worked much better by giving them something young and fun. And they lived up to the complexity. This year's FPs just seem like a step backward with the opposite effect.

(We're not alone, btw. A number of posters in the Russian test skates thread expressed similar doubts, as did some in TSL's comments.)

Unfortunately, I also nearly fell asleep during T/M's FS .... that is, until their last lift didn't go up. That woke me, all right. My biggest nitpick is that they cut the length in half of a beautiful movement that was in last year's FS (probably Marina choreographed it). She's spread-eagled, leaning back, draped across his back as he leanes forward; both with knees bent. It was just so elegant and made me feel something from them, a tenderness or exquisite feeling between them. Something. It was just right at about 4 or 5 seconds. Now it's 2. I'm just offended by the cut!

However, ❤️ I am not giving up on Russian pairs. In fact, in yesterday's skates I found a brand new-to-me pair - Karina and Nikita -- to love! They skated to "Stayin' Alive" and just performed it beautifully. Plus, they have some really stunning throw jumps. The way Karina lands them, at age 15, reminds me of how Nastia Mishina lands her throws. Just spectacular. They are coached by Fedor Klimov.
 
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Just a small post. I was very positively impressed by Laura Barquero and Marco Zandron at Lombardia today. Their FS wasn't perfect but very impressive for such a new pair. Here it is:

https://www.youtube.com/watch?v=o7qx5tn_bKk .

Yes, thanks ladyjane. I came here to voice similar sentiments about this new pairing. See my below comments from a post I made in Finlandia Trophy thread -- Barquero/Zandron are entered for this event in October, along with a stacked list of pairs competitors:

Barquero/Zandron of Spain recently won the fp at Lombardia Trophy (second overall)
https://www.youtube.com/watch?v=kRbevnl5Rkw fp
https://www.youtube.com/watch?v=PbYV9_25sxA sp

https://www.fisg.it/upload/result/5536/SEG008.HTM fp results
https://www.fisg.it/upload/result/5536/CAT004RS.HTM overall results

Barquero looked good with her former partners. She looks spectacular with Zandron. The magic of coming together at the right time on all cylinders. For a tall male skater with long legs, Zandron is agile and graceful, with good partnering skills. Their 3-twist is quite good, with pop and height.
 
I mean, the elements are in the same order and almost exactly the same as last year. I have relented a little because I know that Moskvina will add little bits of choreography and transitions, and she'll most likely change some up entirely over the months ahead, and I'm sure it'll improve.

But that doesn't change the basic fact that I don't feel the music fits them, nor will it show their brilliance to advantage or even adequately. Like you, I'm obsessed with M/G.
Yes skylark. I have heard similar critiques. I guess we will have to wait and see what happens. Once again, M/G are a young and still growing team. As you and others have noted, it might be that their fp music selection is ill-suited for them at this stage of their development. Their programs from last season were of a genre that helped them to relax and project better, thus their weaknesses as a young team were camouflaged. Combined with their innovative choreography and skating clean at 2021 Worlds when it mattered, M/G were exciting to watch last season. As a result of not choosing the best music to suit their personalities and current stage of development this season, their weaknesses are more exposed. With music that is not right for them, apparently the Moskvina magic isn't working as well, at least right now. Things could change over the course of the season, so it's not a given that M/G won't do well later on. The judges truly love justifying their anointing of champions, even when premature. Albeit that M/G winning 2021 Worlds was warranted under the circumstances of what transpired in pairs.

I feel that the younger Russian teams have years ahead of them to further develop, and thus I plan to root more for Tarasova/Morosov this season to finally come into their own. Although, T/M still do not project well nor show a palpable connection with each other, their SS and overall technique and quality of elements are top-notch, as we all know (particularly when they are in-the-zone). I'm also curious to see what kind of shape Sui/Han are in, and what type of programs they have chosen for what is expected to be their swan song season.
 
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T/M looked lovely in the SP, the music matched well with their style, I quite enjoyed it. But the FP music is so boring, I'm sleeping by the end not cheering.
I didn't like either of B/K's programs. There's no swan lake inspired choreography in the SP, or spanish inspired choreography in the FP. The only memorable moment was when K drapes B over his back and does the ugliest spiral position, so...not great. Such a let down.

I agree with both points. T/M's SP can be spellbinding if skated flawlessly. But a big mistake could ruin the spell.

I was shocked by B/K's Swan Lake program. She's supposedly a black swan but that scene in the music doesn't even involve Odile (the black swan). Makes no sense musically. I love Moskina and normally her programs are creative and unique, but sorry to say, this was the worst, most boring Moskina program I've ever seen. And B/K were completely expressionless, like they didn't even understand what they were supposed to be expressing (and understandably, because the music doesn't match the costumes at the very least). Huge disappointment. Ever since I saw Boikova disrespecting Moskvina a year or so ago when they lost Worlds to their training mates, I have seen B in a new light, and it's not good. She's lost her joyous spark and just seems angry and bitter to me.
 
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I was shocked by B/K's Swan Lake program. She's supposedly a black swan but that scene in the music doesn't even involve Odile (the black swan). Makes no sense musically. I love Moskina and normally her programs are creative and unique, but sorry to say, this was the worst, most boring Moskina program I've ever seen. And B/K were completely expressionless, like they didn't even understand what they were supposed to be expressing (and understandably, because the music doesn't match the costumes at the very least). Huge disappointment. Ever since I saw Boikova disrespecting Moskvina a year or so ago when they lost Worlds to their training mates, I have seen B in a new light, and it's not good. She's lost her joyous spark and just seems angry and bitter to me.

I agree, and I also think that perhaps Moskvina was relying a lot on choreographers she worked with to flesh out programs. I think she has a lot of ideas about a team in terms of how to create synergy between them, and how to make interesting movements and moments together, even when the two skaters don't like each other (which happened in the case of Kyoko Ina & John Zimmerman). I don't think Moskvina has lost her creative instincts necessarily, but she may have run out of ideas for these younger generation teams. And so having a young choreographer like Serge Onik on her team, was helpful. As we know, he passed away suddenly. I'm not sure who else she's been working with, but it just may not be the same collaborative chemistry. Plus, Moskvina recently lost her husband too, which can impact her emotionally, and have some effect on her coaching/ work life to some degree. Of course, I could be wrong, since I don't know Moskvina personally.

Yet, the bottom line is that things are different. The entire training dynamic has changed this season, with Boikova/Koslovskii having some level of anger and bitterness. I would imagine that Boikova likely apologized for her behavior and her offhand comments at Worlds 2021, but her and Koslovskii's emotions of feeling betrayed, may still exist. Though of course, they should drop those feelings and take responsibility for their own skating, and simply try to learn lessons from the entire experience, and/or find a new coach and leave Moskvina's training camp.

I believe Moskvina still knows a lot about pairs and about psychology, and she knows how to coach based on understanding her skaters' personalities. But she's a lot older and things change. Plus, she has tended more recently to concentrate on working mainly with one top pairs team at a time, e.g., Berezhnaya/Sikharulidze; and later, Kavaguti/Smirnov. Perhaps it's a bit unwieldy for her at this stage to try and juggle two top young teams, vying for the same crown and the same opportunities. I believe Moskvina dealt with that in the 1980s and 1990s, but not so much over the last twenty-five years or so (unless I'm mistaken). Correct me if I'm wrong, those who know more about Russian pairs history, and the whole Russian fed dynamic toward various pairs coaches over the years.

I always wondered why Moskvina never worked with Tarasova/Morosov. I just assumed that Nina Mozer was the favored pairs coach at the time, and perhaps Mozer desired to hang onto credit for T/M. This, despite the fact that Mozer began pulling back from direct, front-line involvement in coaching, as she began to consult, and to outsource her knowledge through conducting worldwide workshops.
 
My take on what we saw at the Test Skates:

Moskvina could well be trying to challenge B/K and M/G with the kind of classic “serious” Olympic year programs she would have given to teams like Berezhnaya/Sikharulidze, to give these young teams a golden opportunity to show that They Have Arrived to take their places in the distinguished Russian pairs tradition. The problem that we are seeing is, neither team is really ready/capable—at least at this stage—to deliver that kind of program.

I watched M/G’s new LP especially carefully, given our friend Skylark’s disappointment with it, and was struck by the thought that if, say, Berezhnaya/Sikharulidze were skating this, it would have been glorious, and I would have been on the edge of my seat!

Also, loved the SP to The Artist (and don’t believe I have ever seen this team before.) And my goodness, those were some huge throws from Fedor Klimov’s young team in that disco LP (which I’m not sure really worked as a program, but hey, points for trying something offbeat.)
 
Moskvina could well be trying to challenge B/K and M/G with the kind of classic “serious” Olympic year programs she would have given to teams like Berezhnaya/Sikharulidze, to give these young teams a golden opportunity to show that They Have Arrived to take their places in the distinguished Russian pairs tradition. The problem that we are seeing is, neither team is really ready/capable—at least at this stage—to deliver that kind of program.
That seems like a plausible possibility, in the sense that Moskvina may be thinking of a long-term strategy. I'm sure Moskvina recognizes that neither of these young teams are quite ready to step into the exquisitely amazing bootsteps of Berezhnaya/Sikharulidze! And perhaps, for this Olympic season, she is challenging them to grow, and to work on overcoming their weaknesses, and in the case of B/K, to step up and overcome their anger and bitterness regarding how things transpired last season.

B/K need to accept responsibility for the forward direction of their own careers, and understand what sportsmanship is about. If there's a young team breathing down your neck who happen to be your training mates, ya gotta suck it up and meet the challenge, and if you don't stay focused and on point, don't get upset about outcomes. Learn from everything that happens. Life is not not a bowl of sunshine. Neither is figure skating. Not everyone makes the top step of the podium. Not everything turns out the way you plan, hope for, or expect.

B/K and M/G still have a lot of work to do. Plus, there will be other Russian teams challenging them for the top in the years ahead, as well as international teams, who aren't gonna be satisfied with salty seconds and eating leftovers all the time.
 
I don't feel the music fits them, nor will it show their brilliance to advantage or even adequately. Like you, I'm obsessed with M/G.
I can see how much you are in love with Mishina/Galliamov. I wonder whether you fell in love with their personalities, their looks, the way they look together on the ice, and/or the way they move? I think they are a nice looking pair, and they have sweet personalities and a lot of desire. They are physically beautiful and their partnership is growing, especially so with Moskvina's help. Last year, they took a big step up with programs that truly brought out their talent and youthful pizzazz. But they still haven't done very much yet, and they are still developing. They are lucky to be working with Moskvina and they were very lucky to be assigned to 2021 Worlds, with some of the adversities they had to overcome last season. Good for them that they took advantage of their opportunity. Having Moskvina as their coach, and rocking buzzworthy programs, gave them a great deal of confidence. With further growth, they certainly seem capable of reaching greater heights. But that's a slow process for the best of teams. They will have a lot of competition, and in figure skating, anything can happen.

Personally, I am more obsessed about pairs generally, than completely bowled over by any one team. My first pairs crush was Tai & Randy. I have so many fond memories of following their career. Sadly, they weren't able to achieve all that they were capable of achieving, but that doesn't lessen my love for them, nor did it diminish their talents and their contributions to pairs skating. In addition to rooting for U.S. pairs, I enjoy and respect a great many pairs teams. The only Russian teams I would include on my list of fave pairs are Gordeeva/ Grinkov, Mishkuteniok/ Dmitriev, and Berezhnaya/ Sikharulidze. Plus, Kavaguti/Smirnov had some wonderful moments. Elena Bechke/ Denis Petrov, I enjoyed more during their pro career. I admired Totmianina/Marinin's lovely lines and superb technique, but I was bored by their inability to emote or to connect with each other or the audience. I admired Tat/Max (Volosozhar/Trankov), but they weren't together long enough (having paired late in their careers) to make a truly lasting impression or substantive contribution.

Meanwhile, Tarasova/Morozov have been the model Russian pair able to give a tech clinic, and always on the cusp of becoming great, but so far they haven't reached that level. If they can overcome their self-doubts, maybe they will finally win Olympic gold. Their problems with being able to project well on the ice, and failing to select good music has held them back. This season, under Eteri, they are looking more confident, and their music choices are okay, so we'll see what happens.

For me, Savchenko/Szolkowy, are one of the most important teams who made a definitive impact in pairs over the past 25 years, under Ingo Steuer's tutelage (and of course, Bruno Massot, with Savchenko, were influential in the lead-up to and during the 2018 Olympics, but theirs was a short career span, during which Massot was catching up to match Savchenko's intensity and brilliance). Also, the great Shen/Zhao who built their career slowly but surely and were on fire by the early 2000s. S/Z epitomized desire and passion, along with hard work. Chinese pairs in general (including Pang/Tong, et al) during those years made an impact with their amazing throws and 3-twists. S/Z and P/T also brought some aesthetic talent to the ice. Later, Sui/Han came along with amazing tricks, but IMO, it took them time before they developed impactful aesthetic qualities (under the tutelage of Shen/Zhao). What distinguishes S/H for me, is their absolute force of will and desire. Over the last four years, James/Cipres made an influential impact with their talent and charismatic presence. With the help of their coaches and choreographers who had ice dance backgrounds, J/C competed great programs three years straight (both sp and fp), infusing the discipline with energy, innovation and palpable excitement that's still being felt, despite the demise of their partnership.

The story is yet to fully unfold for up-and-coming B/K, M/G, Pav/Kho, and other Russian teams, along with other young talented contenders (plus veterans winding down their careers) in the very exciting pairs discipline.

Specifically on the U.S. pairs side, I'm hopeful that Calalang/Johnson can overcome their much talked about sbs jump weakness, which is the main thing holding them back from greatness. They are a magical team. But they need to bear down and believe in themselves. I hope that Knierim/Frazier might decide to stick around for at least another two years at least, post-Olympics. They have a lot of athleticism, power and potential, but are still in the process of discovering who they are together on the ice. Also, my fingers are crossed for Ashley/Timothy and Chelsea/Danny to make significant strides this season.
 
I'm really excited for Nebelhorn and especially the pairs event. Including... Golubeva / Giotopoulos Moore! I watched their Fire Dance and it was good! I liked most of all their steps and SBS jumps. How I wish there were more than 3 spots available for the olympics, it's going to be a great battle.

Barquero looked good with her former partners. She looks spectacular with Zandron. The magic of coming together at the right time on all cylinders. For a tall male skater with long legs, Zandron is agile and graceful, with good partnering skills. Their 3-twist is quite good, with pop and height.

I recently discovered that Marco is the younger brother of Maurizio Zandron, who skates singles for Austria! Perhaps I could have noticed the surname link sooner. :giggle: Both Italian siblings will be competing at Nebelhorn!
 
In my above rundown on influential pairs teams, I didn't mention a few who were also important in the discipline's history. There surely have been many wonderful teams who have contributed a lot over the years. In the 80s, Underhill/Martini of Canada made an impact with their athleticism and their sexy vibe established chiefly during their pro career, post their 1984 World championship win. Brasseur/Eisler of Canada were known for their bravura and innovative lifts; Sale/Pelletier of Canada are one of my favorite pairs teams. S/P came together somewhat late in their careers, but melded perfectly as a team (similar in some ways to how Calalang/Johnson discovered magic when they partnered, and to how quickly Alexa/Brandon have achieved success as a recent pairing).

In terms of U.S. teams, I also appreciate the aesthetic vision that Meno/Sand brought to their skating in the 1990s, and later the notable impact that Evora/Ladwig made with their difficult, well-executed lifts, and the record-setting triple axel throws that Inoue/Baldwin achieved. In addition, the Waitress and the Truck Driver were a force of nature during the early 1990s for U.S. figure skating: Calla Urbanski/ Rocky Marval (who later married Isabelle Brasseuer). They were coached by the great Ron Ludington (a former U.S. pairs competitor who won World and Olympic medals). Notice all of the interesting moves in the below program by U/M: the pendulum lift (which they invented); variations in the combo spin; interesting dismount on one of their lifts which resembles (but predates) some of the difficult dismount moves we see today; plus the transitional lunge by Calla before Rocky launches her into the throw 2-axel. Today's pairs teams (and choreographers) should review this program and incorporate some of these moves!

The last lift, which Dick said was performed by Watson/Oppegard at the 1988 Olympics, looks like a move we might see today, and we have seen it performed in different ways, i.e., we do see ladies today in that horizontal position on lifts, which is difficult. Plus, we see variations on that type of dismount. Finally, look at the ending pose: It reminds me firstly of the way J/C's final lift ended with Cipres on his knees and Vanessa overhead, and then she is lowered by Cipres in a dismount which requires strength and timing; secondly, I think of Mishina/Galliamov's ending pose in their new fp; thirdly, the way Savchenko/Massot ended their 2018 Olympic fp with Bruno on his knees, while lifting Aljona overhead. In addition, during the latter half of U/M's 1992 program, we see moves resembling some of the carry lifts which are an important trend today; as well as the thrilling full-body swing out dismounts we sometimes see, which I believe were borrowed from pairs exhibition and adagio programs.

I'd like to see more pairs execute the sideways leap we've seen in J/C's 2017 program, Earned It: Vanessa takes a sideways leap, Cipres catches her and then they move into a throw jump. Not an easy maneuver by any means, and that's likely why it isn't being done routinely. I think it was Jeremy Barrett who taught J/C the sideways leap and catch, as he used to perform it with Caydee Denney. Also, Marcy Hinzmann/ Aaron Parchem of the U.S. (who went to the 2006 Olympics) used to perform that move in exhibition. I believe Johnny Johns was H/P's coach, so it's probably one of the moves Johns innovated with his partner, Melissa Militano, during the 1970s, or else Johns learned it from someone and later taught it to his students.
 
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