35,000 persons, lucky winners of bloodbaths of lotteries, to watch him...
Every single one sold out. Every single one. And so is Notte Stellata coming up.
Yes, that's just people who had at least been able to watch it at home for six days, but still wanted the experience (or to renew the experience) of watching it in a movie theatre. Which I fully understand, by the way.
Sekkisei has launched a new gorgeous visual campaign starring Yuzu and 2 photo books will be available from them, if you're lucky to be their eligible customer
@pure_yuzu on Instagram: "Sekkisei has just released a new visual for its Cyclator B serum! It also announced that a new special photo book campaign will start on Apr 1 (Monday). If you purchase the Sekkisei Miyabi series for 13,200 yen or more (tax
49 likes, 2 comments - pure_yuzu on February 25, 2024: "Sekkisei has just released a new visual for its Cyclator B serum! It also announced that a new s..."www.instagram.com
sekkisei.jp
Thank you so much for this report! I may never get to see Yuzu live, so I loe to read reports by others lucky enough to do so, and especially as vivid and appreciative as this. I am glad you had a wonderful timeI bought that one to fit all my purchases.
Got the bigger one though. Yuzu's a cabin size.
I'm back home now, rested, and experiencing a bit of Yuzu's withdrawal syndrome.
I'll ramble a bit about the experience here if y'all don't mind.
I discovered Yuzu a month after the PyeongChang Olympics when his Seimei video was posted. I attended some of his competitions before COVID struck, attempted (unsuccessfully) to attend his ice shows after he turned pro, and finally managed to get tickets for RE_PRAY Yokohama.
I have to say, by comparing my experiences during his amateur and pro era, that Yuzu keeps getting better, perhaps because he now has complete control of his environment. The last competition I attended was 4CC 2020, and while his Chopin Ballade was perfect back then, the audio in the arena was so bad it annoyed me to no end.
No such issue during RE_PRAY. Everything was perfect. I had so much fun noticing the details, like the source of the projection, the transparent screen during 'First A Fleeting Dream,' the way the skylights descended during 'Requiem,' and the way the lights hit his back on the platform after 'Haru Yo Koi.' Both my seats were closer to the ice this time (Arena, West Section - long side for the first day and SS first row, South Section - short side for the second day). Perfect places to enjoy his amazing skating skills.
I truly enjoyed the quietness of his blade and the smoothness of his skating, his amazing jumps and spins throughout the programs. I couldn't breathe during the 6-minute warm-up and 'The Darkness of Eternity'; in a way, it felt like I was watching his competitions again. This sentiment seems to be shared by other fans, as the Japanese fans behind me on the second day discussed it at length during the intermission, throwing praises and declaring their love for him ('Yuzuru, aishiteru')."
RE_PRAY, as Yuzu stated, is more than just an ordinary ice show. 'Ice show' is too simple a term to capture the experience of witnessing his ice story. It represents a novel form of entertainment, seamlessly blending masterful skating, mesmerizing light and projection effects, incredible music with high sound quality, and an engaging storyline. Yuzuru is a charismatic performer who skillfully engages his audience. Everyone in the venue was completely spellbound by him, as evident from the stream. The audience erupted in enthusiastic cheers during his high-energy programs like Ashura Chan and LMEY, yet there was a profound silence after he finished Requiem. This serves as a testament to the profound emotional impact his skating has on the audience.
The two-hour duration of the show felt too fast, and I genuinely wish I could relive the experience again (My withdrawal syndrome, apparently).
Thank you so much for sharing with us!! Although we all know here Yuzu is amazing and incomparable, it is great to hear such a heartfelt confirmation from an eye witness!! So happy for you and your great experience in JapanI bought that one to fit all my purchases.
Got the bigger one though. Yuzu's a cabin size.
I'm back home now, rested, and experiencing a bit of Yuzu's withdrawal syndrome.
I'll ramble a bit about the experience here if y'all don't mind.
I discovered Yuzu a month after the PyeongChang Olympics when his Seimei video was posted. I attended some of his competitions before COVID struck, attempted (unsuccessfully) to attend his ice shows after he turned pro, and finally managed to get tickets for RE_PRAY Yokohama.
I have to say, by comparing my experiences during his amateur and pro era, that Yuzu keeps getting better, perhaps because he now has complete control of his environment. The last competition I attended was 4CC 2020, and while his Chopin Ballade was perfect back then, the audio in the arena was so bad it annoyed me to no end.
No such issue during RE_PRAY. Everything was perfect. I had so much fun noticing the details, like the source of the projection, the transparent screen during 'First A Fleeting Dream,' the way the skylights descended during 'Requiem,' and the way the lights hit his back on the platform after 'Haru Yo Koi.' Both my seats were closer to the ice this time (Arena, West Section - long side for the first day and SS first row, South Section - short side for the second day). Perfect places to enjoy his amazing skating skills.
I truly enjoyed the quietness of his blade and the smoothness of his skating, his amazing jumps and spins throughout the programs. I couldn't breathe during the 6-minute warm-up and 'The Darkness of Eternity'; in a way, it felt like I was watching his competitions again. This sentiment seems to be shared by other fans, as the Japanese fans behind me on the second day discussed it at length during the intermission, throwing praises and declaring their love for him ('Yuzuru, aishiteru')."
RE_PRAY, as Yuzu stated, is more than just an ordinary ice show. 'Ice show' is too simple a term to capture the experience of witnessing his ice story. It represents a novel form of entertainment, seamlessly blending masterful skating, mesmerizing light and projection effects, incredible music with high sound quality, and an engaging storyline. Yuzuru is a charismatic performer who skillfully engages his audience. Everyone in the venue was completely spellbound by him, as evident from the stream. The audience erupted in enthusiastic cheers during his high-energy programs like Ashura Chan and LMEY, yet there was a profound silence after he finished Requiem. This serves as a testament to the profound emotional impact his skating has on the audience.
The two-hour duration of the show felt too fast, and I genuinely wish I could relive the experience again (My withdrawal syndrome, apparently).
Thank you for this report, this tells how he brings a blend of technical perfection and emotion for live audience too.I bought that one to fit all my purchases.
Got the bigger one though. Yuzu's a cabin size.
I'm back home now, rested, and experiencing a bit of Yuzu's withdrawal syndrome.
I'll ramble a bit about the experience here if y'all don't mind.
I discovered Yuzu a month after the PyeongChang Olympics when his Seimei video was posted. I attended some of his competitions before COVID struck, attempted (unsuccessfully) to attend his ice shows after he turned pro, and finally managed to get tickets for RE_PRAY Yokohama.
I have to say, by comparing my experiences during his amateur and pro era, that Yuzu keeps getting better, perhaps because he now has complete control of his environment. The last competition I attended was 4CC 2020, and while his Chopin Ballade was perfect back then, the audio in the arena was so bad it annoyed me to no end.
No such issue during RE_PRAY. Everything was perfect. I had so much fun noticing the details, like the source of the projection, the transparent screen during 'First A Fleeting Dream,' the way the skylights descended during 'Requiem,' and the way the lights hit his back on the platform after 'Haru Yo Koi.' Both my seats were closer to the ice this time (Arena, West Section - long side for the first day and SS first row, South Section - short side for the second day). Perfect places to enjoy his amazing skating skills.
I truly enjoyed the quietness of his blade and the smoothness of his skating, his amazing jumps and spins throughout the programs. I couldn't breathe during the 6-minute warm-up and 'The Darkness of Eternity'; in a way, it felt like I was watching his competitions again. This sentiment seems to be shared by other fans, as the Japanese fans behind me on the second day discussed it at length during the intermission, throwing praises and declaring their love for him ('Yuzuru, aishiteru')."
RE_PRAY, as Yuzu stated, is more than just an ordinary ice show. 'Ice show' is too simple a term to capture the experience of witnessing his ice story. It represents a novel form of entertainment, seamlessly blending masterful skating, mesmerizing light and projection effects, incredible music with high sound quality, and an engaging storyline. Yuzuru is a charismatic performer who skillfully engages his audience. Everyone in the venue was completely spellbound by him, as evident from the stream. The audience erupted in enthusiastic cheers during his high-energy programs like Ashura Chan and LMEY, yet there was a profound silence after he finished Requiem. This serves as a testament to the profound emotional impact his skating has on the audience.
The two-hour duration of the show felt too fast, and I genuinely wish I could relive the experience again (My withdrawal syndrome, apparently).
And the second day from one of these luckiest seats by the platform??!! 
