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Jason at SOI Canada with light chair-ography to "Rock Around the Clock".
And he's wearing the "Juke" outfit, which I loved (the outfit and the program)
I have hesitated to say this, but I'm curious how the rest of you feel - EVERY time I have seen this program I have loved every second of it except the cartwheel. I really, really wish they would take it out. It doesn't fit.A beautiful appreciation of Spiegel im Spiegel Phil Hersh on Jason: (for those of us who remember when Phil was all about the quads, quite a turnaround)
Working with that limited musical palette required restraint and delicacy.... It also asked Brown to skate with constant flow and as close as he could to one speed throughout the four minutes, no mean feat when also needing to gather the body’s power for seven jumping passes.
Brown pulled that off wonderfully, even with a glitch on one jump at the World Team Trophy. His gestures were intimate and unembellished. His flow was unbroken, even in executing a cartwheel, when he pushed off while landing that element.
....
I have now watched it once live in the arena and a dozen other times on video, and each time it is more captivating.
It is also proof that in even the era of the quadg0d, an athletic marvel who is pushing the sport seemingly beyond the limits of gravity, Brown and Malinin can both be the apotheosis of figure skating.
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A season of tragedy and triumph for U.S. figure skaters — Globetrotting by Philip Hersh
The figure skating season that ended nine days ago at the World Team Trophy in Japan was one of overwhelming tragedy and historic triumph for Team USA. The tragedy happened Jan. 27, when 28 members of the U.S. figure skating family were among the 67 people who died in a crash between their plane anwww.globetrottingbyphiliphersh.com
I have hesitated to say this, but I'm curious how the rest of you feel - EVERY time I have seen this program I have loved every second of it except the cartwheel. I really, really wish they would take it out. It doesn't fit.
Funny - I started this whole conversation - but I watched the worlds performance again this AM and it bothered me less. It's amazing how he does it between spins - and as someone else said - it is probably about levels.The cartwheel didn't bother me. In fact, I didn't even think about it until I started reading this thread. I guess to me it just fit in with the choreo.
Is it an exit from a spin? If so they may have put it in as a feature to get a level 4? If not, no ideas…I have hesitated to say this, but I'm curious how the rest of you feel - EVERY time I have seen this program I have loved every second of it except the cartwheel. I really, really wish they would take it out. It doesn't fit.
I think it is for that reason. It's in between spins.Is it an exit from a spin? If so they may have put it in as a feature to get a level 4? If not, no ideas…![]()
That would be my guess also. He's not going to do those dumb looking heel lifts to get a level 4 and he wants a high GOE. Going from a spin into a cartwheel into a spin is high level. Spin/cartwheel/spin makes sense to me. As for how it interprets the music, the judges seem to like it. It's a very subdued and artistic cartwheel.I think it is for that reason. It's in between spins.
Thank you so much for posting this!Jason did a Q&A for his fans at the SOI show in Osaka, Japan.
He compared the experience at the 2025 Boston Worlds to that of the 2014 US Nationals (held at the same venue), discussed his decision to skate to River Dance again, talked about the equipment problem, his plans for next season's programs and summer shows.
There was a cute little happening during filming this Q and A, so you must watch it!
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