An interview in today's NY Times with Alysa .... by the
dance critic of the Times in the
Arts section.
Gifted the article
The free-spirited figure skater spoke to our dance critic about her approach to performing, the role of music and more.
www.nytimes.com
Wow, wow, wow. That might be the best figure skating interview of all time.
A couple points that caught my (perhaps superficial) eye:
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"
Alysa has studied many forms of dance over the years... contemporary, modern contemporary..."
Me: I can't wait for the next big genre, "post-modern contemporary."
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Alysa on timing her jumps to the music. "We’ll edit the music to match the jump sometimes. If I don’t have enough time to get from point A to point B — to land a jump on the crash or something, we will add in more music just so that I can."
Alysa on preparing for a performance: "I visualize my entire program multiple times before I do it, but I also visualize the patterns of my breathing. I practice my breath while envisioning the program.
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Interviewer"
Do you think about how you will influence skating?
Alysa
: You know, it’s actually been a really deep struggle in whether I want skating to be big or not.
Interviewer
Why?
Alysa: I’m glad for it. I wouldn’t change my childhood at all. But I feel like no child should go through that.... sometimes it’s not toxic, but it usually is .
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Interviewr:
I wonder about modernizing skating a little bit...
Alysa: Things gotta change, 100 percent. I think the whole system’s got to scrap it and start over. The competition system and the setup just isn’t fit for consumption, honestly, because the competitions are too long, no one can sit through and watch all that.
Interviewer
...there is all of this discourse around you and Eileen Gu.
Alysa I’ve known Eileen since I was 13 or something... her mom is an immigrant [from China]. Y’all would have told her to go back to China. Now that they’re back in China, you’re mad.
