I missed part of it—drat!—but saw enough to enjoy it hugely. I agree that Scott might just be the heart and soul of American skating. Of all the skaters who mounted "artistic" ensembles, with original choreography that had some substance to it, his was the one that lasted. Years ago, John Curry had a tour of beautiful skating, but I'm not sure it was meant to be permanent, and in any case it didn't last. Toller Cranston's lovely tour in the seventies also had a brief life. SOI, by contrast, has endured. The contribution that this company has made to skating is substantial. Imagine how many audience members it inspired to become skaters, as well as giving the skaters themselves a way to grow and improve after their eligible careers.
And clearly the skaters themselves matured as human beings, not just as artists. The way they all handled the death of Sergei Grinkov, which happened before their very eyes, was monumentally inspiring. These are people who know how to live, not just how to skate. As another example, look at how many former rivals skated together for years and became good friends.
One thing that always strikes me is how crucial Roz Sumners is to the mix. Compared to many of the others, she was not a superstar—and she didn't maintain her triple jumps or contribute any cutting-edge technique. But she plainly is a superb team player and was very important in the overall performance result. Also, whenever anyone is interviewed about SOI, Sumners frequently is the most articulate and insightful about both events and the evaluation of skating abilities. When she described Paul Wylie as "crisp," and "passionate," I sat up and smiled. That's exactly what he brought to skating. The emotional quality of his work is obvious, but it's his meticulous line and placement that Sumners captured with the single word "crisp." When I saw her face onscreen, I was always eager to hear what she had to say.
A tremendous program! I wish I had been able to tape it.