But Janet the reason the judges are giving Joubert/ Plushenko those high PCS is because I suspect they feel they AREN'T rewarded enough.
I.e., they recognize that Joubert and Plushenko don't have difficult, varied, or intricate transitions, but they think they should be rewarded for their quads by more than the current scale of values provides for, so they deliberately pad unrelated scores to make up for the areas where they disagree with the scale of values?
That's possible.
It's also possible that they look at the power and edge security that these skaters have going into and coming out of their jumps and in their general basic stroking, set the Skating Skills mark on that basis, and then adjust the other PCS up or down from there in small increments . . . e.g., transitions are not really commensurate with the level of basic skating, but the underlying
quality to what transitions there are, based on that basic skating, makes up for the relative lack of difficulty, variety, or intricacy.
Similarly with choreography and interpretation. These guys may not have complex spatial patterns across the ice or subtly nuanced musical expression, by they do know how to sell a step sequence, for example.
Plus, I'd like to mention this isn't ice dancing. Joubert and Plushenko spent so much time on their jumps as kids, because thats what most of the elements in singles skating are.
On the other hand, there's always the cliche response "It's figure skating, not figure jumping."
Yes, jumps are important, but no one ever promised them that nothing but the jumps should ever count.
I.e., freeskating is a combination of ice dancing and ice jumping and a few other types of skills, such as spins, that wouldn't be included in either of those sports. The sport of ice jumping as a separate discipline does not currently exist.
I'm not saying transitions/choregraphy isn't important-it is. But it shouldn't be way more important than the jumps.
Why not? It started out that way.
There's been much more advancement in the level of jumping skills vs. blade-on-ice skills in 2010 compared with, say, 1910. In the process, jumps have indeed become more important. For one reason, they're a lot easier to quantify, and also the difficulty and success or failure are a lot more apparent to outside observers.
But fundamentally, figure skating is a sport based on the relationships between blades on ice. Rotation in the air is valuable at least as much for what it indicates about the ability to harness the blade skills as it is about muscular vertical acceleration or in-the-air rotation technique, both of which can be accomplished without blades.
There can be disagreements about how to balance rewards for the fundamentals of skating, with rewards for tricks like jumps and spins, or, say, spread eagles, and also how important a role choreography and musical interpretation in the sport. Some judges, skaters, fans will prefer to see more emphasis on one area and others in another area.
But you can't just get rid of any of those areas completely. If one group wants to separate out their favorite area(s) into an event you would prefer, e.g., an ice tricks sport, or an ice acting competition, then there should be another discipline emphasizing the edge skills which were the original basis of the sport. And why shouldn't there still be one that combines all skills?
I don't think the system should encourage people to pack in all kinds of transitions/choregraphy that they can't handle.
How do you define handling it or not? Success at the transitions/choreography, or success at the jumps?
Frankly I think since transitions are rewarded in the GOE mark, and we have a choregraphy mark. I frankly think it would be a good idea to get rid of transitions all together.
You would prefer a sport consisting of telegraphed ice jumps and ice spins only?