- Joined
- Mar 7, 2015
I agree... it's the same in my field. The objective components are still evaluated by human ears. But it's not like an experimented judge cannot recognize quality here.This is the problem.
These things are extremely important to the technical evaluation of ice dance.
But they are not being measured objectively with instruments. They are being assessed by the human eye.
It is possible to assess them without bias, with more knowledge than most fans can bring to the process and from a better seat.
In the sense that such assessment is unbiased (except in those situations when it isn't), it could be considered "objective."
But it still relies on human perception. Which are estimates, not exact measurements. And potentially affected by external factors such as expectations, skate order, etc. So unfortunately we can't really call these assessments perfectly objective. They're just the best we have available for now.
Technology that would actually measure things like ice speed, edge depth, edge security would make the evaluation more objective in a true sense of the word. But at what costs (financially and otherwise)?
For fans at home, camerawork and editing can also introduce huge distortions of the relative quality of different teams. Most likely unintentionally, at least in terms of trying to influence which teams look "better" on video. But, e.g., the perception of smoothness and flow, or even of speed, can be significantly influenced by the number of cuts or dissolves between cameras or the number of closeups vs. medium shots, etc.
It's not quantitative objectivity but it is qualitative and that is a major part of the scoring system. Judges are SUPPOSED to be able to do that in a professional and fair manner. When I am invited to judge a music competition, I have to apply these objective parameters to determine who played better technically. I agree that part of my score will be subjective based on things that are harder to measure like "musicality" for instance... but still, even there, there is a sense of objectivity because a musician able to share beautiful flowing phrases needs the technical ability to do so... so even the parts that are more left to "personal taste" can be found in mastery of technique.
