Hello~ I agree with Vash01 about Yagudin. I also voted for Ilia. I love that his jumps are so pure - huge, incredible heights, and so soft landings. His footwork are always versatile, note for note, and by the end of the program, it's always as if I've come to understand the music better than before. His Olympic FS program was just incredible - not just the quad & eight triples he accomplished but the sophistication of the artistry and choreography. To me it served notice that while he had previously been criticized for perhaps not having the stamina or heart (though I personally think it's just choreographing a perfect program where he can breathe and get his legs back between jump executions - his Romeo and Juliet program had this problem, for example), he showed he did have what it takes to win when it counted the most. I think his Olympic long program sort of even reflects a little bit of this odyssey. The beginning of his long program started when we see him skate forward as if pushing through with some effort - like a chore - to execute the triple axel/triple toe. But after his slow section, just when he starts going, he raises his arms and looks skyward, it was like this big contemplative moment of seeking that inspiration/heart he needed, finding it, and then executing the best second triple axel I've ever seen. That second triple axel was just so breathtaking, and I reveled in the audience's reaction to that. His landing was just so soft, and at the end of his program, he was so emotional with happiness and excitement - because he completed it, and did it with the best effort he could give. He completed everything he set out to do, and he not only had the artistic flair that showcased a rare natural talent only the likes of Kurt Browning could exceed, but he also made all of his jumps look so easy to do. So many other skaters showcase a lot of power to complete their jumps and landings, especially with their triple axels, but Ilia showed that the jumps could also be executed with grace. And though he chose to go pro afterwards, he came through when it mattered the most, at the pinnacle of his amateur career. He accomplished all that any of his amateur peers could only have hoped to have done on their first Olympic visit. He beat the best that night, Stojko, Eldredge, and yes, even Yagudin, who inspite of his cold, had no one to blame but himself as his own coach had even said he had gone out in the cold with wet hair. I think Yagudin is a great skater in his own right, but I think it took Tarasova to improve and bring sophistication to his artistry. With Ilia, I was already impressed when I first saw him doing his short program at the 1996 Worlds. The Olympics is the pinnacle of accomplishment for many athletes who have dreamed their entire lives to reach. For some it takes a few visits. For others it will never come. But at least for Ilia, he did it all in one try and hey, what do you know, left his own mark in history while he was at it. He didn't have the quad that Elvis had when he first came onto the "scene", but in the end, he pulled it off (and accomplished it in only a few seasons no less) when Elvis didn't. He also completed his program when Todd messed his up. So I think Ilia has been very underrated and deserves all the credit for what he has accomplished. He may not have gone on to continue his amateur career after 1998, but in doing so, it opened the way for other skaters to have their chance at the gold medal, and he has continued to push himself both artistically (choreographed his own pro programs) and technically (still being able to do those triple axels). Much like the other male skaters he probably also admires - Boitano, for example.
