Every season I see some very innovative programs, so it’ll make for an extremely long list if I start with the 1980s. So I’ll say something about the programs that surprised me this season (in no particular order).
I thought Hawaek/Baker’s FD to the soundtrack of The Theory of Everything was original. To be sure, the film was very popular, but incorporating the story of a man who starts developing motor problems into a figure skating program, and an ice dancing program in particular, must be challenging, and I think they succeeded very well, both in choreography and in emotional expression.
Cannuscio/McManus’ SD to Prokofiev’s Cinderella stood out for me because they played out the story, as opposed to just dancing to the music, as it’s usually done, especially in a SD.
Shoma Uno’s SP to Legends by Sacred Spirits and Yuzuru Hanyu’s LP to the soundtrack of Onmyoji were unusual in their choice of music and consequently in choreography. I can’t comment on how well they expressed the themes, since I’m not familiar with either source material, but both programs were extremely interesting to watch, and the choreography and the artistic expression seemed to fit the music perfectly. Hanyu’s exhibition program to The Requiem for Heaven and Earth was certainly also very unusual. When I was watching it during the season I didn’t know what it was about, but I found myself so deeply moved by the music and the skating as has seldom happened to me in all the decades of watching figure skating.
Konstantin Menshov’s programs have always been original in their content, and I’m sure I’ll miss him a lot, no matter how many talented skaters are left and will appear, because true individuality is irreplaceable.
Both of Evgenia Medvedeva’s programs this season were original, the SP in its choice of music, the LP in its content, and I was highly impressed by how brilliantly she’s managed to express them.
Yulia Lipnitskaya’s choice of putting together these two of Elvis Presley’s songs was certainly unusual and made for a humorous and delightful program that I was only too happy to see again and again. Her LP set to a piece of music unused in figure skating was hauntingly beautiful and mesmerizing to watch.
I’ve seen countless programs to Cirque du Soleil music, but none that sounded like the music to Seguin/Bilodeau’s SP, which they expressed marvelously. It’s truly the first CdeS program I’ve seen that has made me feel the holiday atmosphere of fun and gayety.
Astakhova/Rogonov’s SP to the soundtrack of The Artist was interesting in its content. I think they’ve managed to portray the actors of the silent era and to create the right atmosphere brilliantly. Their LP was not original in content – I well remember Kazakova/Dmitriev’s program to a similar theme – but it was nonetheless interesting and stood out among the other pairs’ programs. It was also very well expressed.
Paul/Islam’s SD to Tales of Beatrix Potter was certainly innovative. They were fifth in SD at Skate Canada where I first saw this program, but it was the most memorable SD there for me (although I enjoyed Weaver/Poje’s, Shibutanis’ and Guignard/Fabbri’s programs as well). TBH, I’m very upset that Virtue/Moir are returning and will likely prevent Paul/Islam from going to Worlds and Olympics. I think that after competing at two Olympics (and medaling at both!) they should have let other athletes have their chance of a lifetime to go to the Olympic Games. But that’s my opinion, of course. I’m sure their fans and the Canadian FS Fed feel differently about this.
I think that Ilinykh/Zhiganshin’s choice of Queen’s music was original for SD and although I love classical waltzes more than any other type of dance, overall their dance proved the most memorable SD of the season for me. I can say the same about Frida. They weren’t the first to skate to it, but they were the ones who created a masterpiece to it on the ice. The music itself wasn’t new, but the program was innovative in many ways.
Anna Pogorilaya’s exhibition program to Schnitke’s tango in a madhouse certainly stood out for its originality.
Ooooh, I'm sure I'll remember lots more later on but, off the top of my head,
Giada Russo's phenomenal LP this season that doesn't get nearly enough recognition as it should. From the choice of music to the choreography and execution - everything about this is unique, unexpected, magical, captivating, extraordinary... running out of superlatives here
Please watch if you haven't seen it. Even if you don't particularly like it, I'm sure you'll at least appreciate the creativity.
Thank you very much for posting this! I’d never seen Russo before, and I was astounded by her program. It is indeed one of the most innovating programs I’ve ever seen, and very beautiful too. I planned to watch a number of programs mentioned in this thread, but after watching this one I felt that I didn’t want to see anything else right away.