- Joined
- Nov 8, 2017
Thanks so much for pointing out that the tech controller may be part of the whole scoring weirdness here. That makes a lot more sense to me. (It still feel the RD was very sloppy and needs a lot more training, even though I like the program a lot and am so happy to see them have fun with the RD.)I'm not worried about the levels cause look who was the tech controller!
Remember the infamous european 2017 sd event, you know when they had to change the ranking afterwards and no one understood the score. when i saw her name i knew G/F will get levels 4 and P/C won't.
The thing is now with the +5/-5 system it no longer matters. I remember how anxious i used to be everytime i saw her name or dotsani for tech controller.
I see the word pretentious used to talk about P/C FD and i wonder is it because they are french ? I know what people think of us or the way they talk about french art in general.
Yes in france we have different tastes and opinions when it comes to art but that doesn't mean we are pretentious.
With Gabriella and Guillaume a program doesn't feel like it lasts 4 min, i see everything , they let the movements breathe.
Right now i like P/C free and i can't wait to see it grow. Take Oddudua it's not my favourite program from them but their performance at the 2017 WC was everything . I have gossebumps just thinking about it.
This FD is a masterpiece for me. I can't stop watching it. It is so superb, already. It's a treat, a delight, a piece of art, to be watched over and over and over again, and marvelled at every single time.
The only thing that briefly breaks the spell for me and that I hope they will do something about is the second half of the straight line lift, which I can't really understand and looks laborious to me. The first position is so beautiful and wonderful, and then all of a sudden we climb into an ordinary "statue" lift that makes no sense. After their first showing I was hoping they would do something about it, but it's still there and still laborious instead of flowing.
Look at the rotational lift, the stationary lift: the finesse, the softness, the smoothness, the delicacy is beyond belief and description. It's otherworldly, so finished and perfectly tender. All the other elements breathe the same quality of perfection. All movements are so graceful, so marvellous...
And this silk-in-motion is balanced or complemented with the modern dance movements that I simply love. (As long as Gaby makes them sharp enough (the ending positions), that is; Guillaume does these things naturally perfect. But then again, Gaby's facial expressions are so spot-on and she thereby adds so much to the program that Guillaume would have a hard time getting right.)
God, I adore all of it.
From the way I praise them, you'd think I've discovered them yesterday, but even though we're seeing this now since 5-6 years, I simply can't get over it. It is so enticing, so magical, so ethereal...
For me at least. If anyone thinks it's all stupid (French) rubbish, fine, no problem. I'm just over the moon with the sheer existence of such artistry.
The Gods of Ice Dance graciously bless us with their presence once more. Please stay with us mere mortals for another full quad!