- Joined
- Oct 26, 2016
Huh ... I'll risk sounding stupid ... where?
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It is simply exquisite. Their twizzles there and in to Build A Home are probably the best for me. But as soon as I pick these two and write them down, I tend to look at the other dances and I cannot decide once again.![]()
Saw some new touches in the arms and upper body movements in Alain's videos of the practice. Hopefully the camera angle is good this time! No Spider-Cam please.
Of course she is not sad, I have no doubts about that.
I didn't realize that thinking about the ways of future development of P/C requires from their coach and choreographer such tremendous sacrifice and effort as leaving preparation of all her other couples.Sorry, my mistake. In any case, I agree with opinion that P/C have outgrown her. I think they need someone else to be pushed further to develop their talents.
I didn't realize that thinking about the ways of future development of P/C requires from their coach and choreographer such tremendous sacrifice and effort as leaving preparation of all her other couples.![]()
I don't really get all those praises for Christopher Dean either. Yes, he used to be a brilliant, legendary skater and choreographer. Yes, the Ed Sheeran SD was really fun, and so was the Hitchcock program for Paul and Piper a few years ago. But he has been choreographing for Chock and Bates and lots of lesser-known teams for years and was that anything to write home about? Not really imho.
This is a common misunderstanding many people have but Christopher Dean had nothing to do with the Hitchcock program. That was choreographed by their coaches Carol Lane and Juris Razgulajevs. Dean erroneously gets credit for some of their more interesting original programs, he has worked with them but not on their programs that year.

Yes, because saying what she's planning for them way before the season even ends, for all the skaters and coaches and the skating world to hear would be indeed very smart and prudent. Come on! I'm sure she has loads of plans and ideas but a) it has been a hell of a season and at the time when the interview was recorded G&G weren't even back to Montreal, and b) revealing such secrets on YouTube would be downright stupid. We always know next to nothing about their programs come the autumn, why this time should it be any different? She gave a diplomatic answer, that's it, I wouldn't read too much into it.
And going where exactly?She might also not know if they are staying with her next season.
And going where exactly?
(Whatever happens, I hope it will be their own -smart or not, time will tell- decision, and not just Didier’s.)
I'm not sure it would matter: they'd no doubt be taking their talent with them, and bringing in the people they want to work with from wherever. I'm also sure that Didier would support them in their vision. whether they remain at Gadbois or not.
If I were them, I'd be sitting down and discussing what they want to get out of the next four years after worlds and then looking at where they might be best supported to achieve that, which may be Gadbois or may not. They certainly shouldn't be looking at themselves as moving to or remaining at any particular school in order to become a product of that school.
And who will push them further, pray tell? Marina, whose loyalties lie with the Shibs (their parents own the rink she coaches at, don't they?)? Igor? His teams seem weaker and weaker with each year. Zhulin? Morozov???
I don't really get all those praises for Christopher Dean either. Yes, he used to be a brilliant, legendary skater and choreographer. Yes, the Ed Sheeran SD was really fun, and so was the Hitchcock program for Paul and Piper a few years ago. But he has been choreographing for Chock and Bates and lots of lesser-known teams for years and was that anything to write home about? Not really imho.
All of you guys have been singing praises about Moonlight Sonata (choreo by M-F in case you forgot) all season long and now suddenly she is sort of a villain here? Seriously?? It was her and her team that helped P/C move from the 13th place to the 1st WITHIN A YEAR. It was her who blew the world away with the Mozart and To Build a Home. Gadbois got a 1,2 and 4 places at the Olympics and are currently the best training spot in the world when it comes to ice dance. Leaving M-F alone with such talented teams like H/D (well, if Zach can get his s together), Soucisse/Firus etc. and going somewhere else would be a huge step back and mistake imo. Not to mention all the fresh blood that is bound to appear sooner or later and threaten P/C's winning streak.
And I do agree with M-F that both teams skated their best at the Olympics. V/M? Without any doubt. And Gaby and Guillaume increased their PB by 2.12 comparing to the Euros, if I can count correctly. They had a fantastic, record breaking FD and a Short that without their calm and composure and professionalism would otherwise be ruined. And M-F acknowledges that. Given what happened with the costume they managed beautifully.
What surprised me in this interview is that MFD have not yet thought about how to develop P/C and what direction to take with them in 4 next years, she just waits for a conversation with them. It's strange to me, i hoped that their coaches have good strategy for them. Of course, Gaby and Guillaume will decide by themselves what they want to do, they are "very involved", as MFD said, but still...
Although I’m sure she’s very exhausted after the tension of the Olympics and wouldn't expect any tactics at this point (choice of music or style) I too am really perplexed. If she were really involved in their development, shouldn’t she be all making us feel that yes, she’s has a vision and a roadmap for them for the next Olympic cycle, and that it will not only take them to gold but really stretch them as artists and skaters. Wouldn’t one expect her to already know what aspects of their talent they should be concentrating on and developing now, thinking about how best to disarm and silence the criticisms that have been developing around them - lack of athleticism, repetitiveness, lyrical romanticism, inability to skate a story, etc. Couldn’t this be conveyed somehow non verbally as well as verbally?
So I’m surprised but I also feel slightly let down. When PC first got to Montreal MFD had incredibly clairvoyant and long term plans for them including, in 2015, already having a good idea of the Olympic FD music. In her interviews she was totally committed to polishing this pair of rough diamonds. The whole support ecosystem (musical coaches, music analysis, mental coaches, etc.) was and has been fantastic for their development. Though to be fair it’s been a symbiotic relationship. Before PC there were no world champions. So at first PC & MFD started off with a win win relationship. And then gradually they became « also rans » or « also running ». There may well be well over a dozen couples (though not all outstanding I guess) in the portfolio that has to be « managed », but was the organization really capable of managing the handful of world class ones equitably? Were some "more equal than others »? Many main coaches sit alongside all their best couples in the k&c. Not in their case. How to interpret this? Rationalisation at work? (not enough time, we delegate here). Or symbolically (of course you’re important to us but…). Is it simplistic and over idealistic to assume that a teacher can push more than one star pupil in a class?
On top of this slight disappointment I also feel some anxiety. It’s like what is said about leadership as opposed to management. Inspiration rather than execution. I keep thinking about a radio programme I recently heard on the great Russian pianist Sviatoslav Richter getting kicked out of the Moscow Conservatoire several times but there was always this one teacher to defend him against the nomenklatura and get him reinstated because he was brilliant. Isn’t that what mentorship is about? So all these little micro signals (delegating, not being in the k&c, not properly mitigating the already identified costume risk) mean I am starting to lose my trust in her and am not sure that in 4 years time she’ll commit herself body and soul for PC to get the gold as she has done this time since Tessa and Scott’s return. Will she be able to resist the pressure of abandoning PC if ever some new couple suddenly pops up which has to be propelled…In my mind the seeds of doubt have been sown and now, with these latest remarks, are being watered.
If there’re going to be just « any old couple » in Montreal maybe they should indeed be looking for a new haven as Icetiger implies.
) retired. Having started to fish outside help this season was not hindered it seems, so they can probably get their artistic growth by increasing outside influences. Romain is a key element though. If he's not happy there, then they would probably follow him but again where would Romain go. Going back to France, I don't see it. But here is a wild idea, he could team up with Barbara Fusar-Poli, now that would be something. I'd like to witness a European renaissance in ice dance taking back the North American leadership. John Kerr could join them too and Dean could pop in from time to time. There are some nice European teams with potential like this lovely Georgian junior team in smaller countries who might not have the financing to cross the ocean but would be happy to join a strong European training ground with Gaby and Guillaume leading the way. Ok wishful thinking I know, but how awesome would it be. What about Romain? They moved to Canada not to train with MFD but because of him. Is he planning to leave?