Kazuki Tomono | Page 277 | Golden Skate

Kazuki Tomono

It seems like the Naniwa Figure Skating Festival was a huge success - looking at the amount of press coverage, I should have created a thread on the ice shows section 😅

Press report from Kurosawa-san: https://mainichi.jp/articles/20250517/k00/00m/050/172000c

Figure Kazuki Tomono performs his new SP at his base: ‘This programme will take me to the Olympics’.

On 17 May, Kazuki Tomono (Daiichi Juken Group), a male figure skater, performed in an exhibition at an event held at the Naniwa Ice Skating Rink in Osaka, where he has his training base, and presented his new season's short programme (SP). He also taught a skating class and interacted with fans.

The SP song for the new season is ‘That's It (I'm Crazy)’, which features a heavy bass and up-tempo tune. On this day, he reduced the difficulty to triple jumps and landed all of them lightly, and wowed the audience with his ‘one-handed cartwheel’ in the step in the latter half of his performance, which is one of the highlights.

On the 15th, he turned 27 and will be competing in the Olympic season as the oldest active Japanese male skater. "This will be an important season, but I want to do my best with this program in preparation for the Olympics," Tomono said enthusiastically in front of the crowd.

The event also featured three male skaters: Kosuke Oshima, Yuto Kishina, and Sena Miyake. Each skater showed off a program for the new season, and the four of them also performed a group number choreographed by Tomono, showing off their well-coordinated skating, entertaining the fans. [Kurazawa Hitoshi]


Gallery of pics from Mainichi:



 
Fleur Bazaar really touching IG post about the Naniwa Figure Skating Festival:


Machine translation:
Thank you for the many likes and warm comments on yesterday's post.
I'm afraid the manager will scold me for dwelling on the aftermath of the fun forever, but I'll be back in a little while.

When Daiichi Juken requested a flower stand, we asked to add a "twin coordination" to the design that Hananaga had envisioned.
Many people have noticed the intricate designs that look similar but are subtly different, like real twins, and we savor the joy of looking at the many photos that have been posted.

Our staff got to join everyone and try throwing for the first time in their lives.
We measured the distance the flowers could fly in-house, devised a bag to prevent the flowers from flying out, and performed test throws at our warehouse and Naniwa Sports Center before going on the road to the real thing. We threw the flowers towards the rink while remembering the scene we saw on TV a few years ago!
The tip we had researched beforehand - "bend your elbow at a 45-degree angle and throw like a dart" - worked well, as the flowers landed beautifully on the rink. All the staff were overwhelmed with emotion at the sight of the flowers spreading across the ice.

And then...

Ever since I was contacted by the Naniwa Figure Skating Festival 2025, I've been thinking about how we could celebrate Tomono's birthday.

As we continued with the preparations, we consulted with Naniwa Sports Center and decided to plan a surprise.

We wanted to send flowers not only to celebrate his birthday, but also to all the athletes descending on Naniwa Ice Rink! We made a difficult request and prepared flowers.

For Tomono, we gave him a bouquet of 27 crimson Colombian roses. We were determined that we had to use 27 Colombian roses! 27 roses is quite heavy, but we're used to carrying them, and as he is a top athlete, there was no need to worry.

We saw Oshima, Kishina and Miyake at the rink side with flowers that we had made based on their images.

When we took their pictures, everyone held them up so that we could see the flowers in a natural gesture,
I love this color! I was so happy to hear such kind words from them!

As expected, the stars look great with flowers!

Please take a look at the smiling faces of the players captured by the manager's camera.

*Memories of the May 17, 2025 Fleur Bazaar on business *
 
Article published today on Asahi Sports:


Machine translation:

"The key to good mood is the abundance of everyday life" - Kazuki Tomono is addicted to nature and reading

When he steps onto the ice, he first begins to draw a figure eight on the smooth rink. This takes about 15 minutes.

The "figure" in figure skating means shape. Drawing shapes on the ice is actually the basis of this sport.

Tomono Kazuki (27) of the Daiichi Juken Group is now starting his on-ice training with the compulsory skating routine.

As I watched him, I thought of Tatsuki Machida, whom I interviewed 12 years ago.

At the time, Machida had moved to Rinkai Sports Center (Takasaki City, Osaka Prefecture) and was quietly practicing compulsory skiing under coach Onishi Yoshinori, honing his fundamentals. There were still few other reporters paying attention to Machida. Watching him, I wondered if Machida would make it, and he successfully paved the way to compete in the 2014 Sochi Olympics.

Tomono says, "I was at Rinkai at the time, too, and I saw Machida-san working hard." The image was burned into my memory. Is the emphasis on compulsory due to the afterimage of such a memory? It must be that it is directing Tomono towards the basics of skating.

"When I do compulsory, I can tell how I am doing. Whether I can ride the edges well or not. I can tell the slightest shaking or misalignment of my body. It applies to all movements, including jumps, and I can feel my skating IQ improving."

It was a very impressive training session by Tomono. It wasn't a jump, nor a spin. Tomono is now trying to learn the fundamentals of skating that modern figure skating has left behind. And this is even though next season is the Olympic season.

What I learned from Mao Asada

The following happened at an ice show in April.

"Mao Asada also does compulsory skating, so I had a chance to talk to her about a lot of things. I learned that there are many different shapes, not just the figure eight. I was able to talk to her about the many different shapes. I had never had a chance to talk to Mao before, but I was able to hear some really great things, and it was an invaluable experience for me."

For his short program (SP) for next season, which will be the Olympic season, he chose "That's It (I'm Crazy)" choreographed by Shae-Lynn Bourne. It's a danceable number.

"This is Tomono Kazuki's program. Shae-Lynn suggested nearly 100 songs, and I chose this from the ones that best suited me. I think this program has the vision to beat (Kagiyama) Yuma and (Sato) Shun."

I was surprised that Tomono, who doesn't often talk about other skaters, mentioned young skaters like Kagiyama and Sato.

Daisuke Takahashi's seal of approval

For the free program, Tomono chose "Halston" by Misha Ge, a choreographer with whom she has worked for many years. She chose a more evolved version of the piece she used in the 2023-24 season. "It's a program that allows me to pursue results," Tomono describes it as. "It reveals my true self and allows for infinite expression."

It's a simple piano piece, and even one mistake gives the impression that it's impossible to perform. Tomono must pour all of the skills and expressiveness she has acquired over her 20-year skating career into it, and perform it without the slightest flaw. It's a program that Daisuke Takahashi, whom she respects, said he "likes."

With these two programs, he will be facing the season that will be the culmination of his efforts.

"My biggest goal this season is to compete in the Milan Olympics and achieve good results. It will mark a turning point for me, so there's no doubt that this season will be the culmination of my efforts. I won't know if it will be my last until it's over. If I compete in the Olympics, the view I see will change. I think I'll then be able to see what I want to do."

His current obsessions are "nature" and "books."

He says he's becoming more nature-oriented in his private life.

He says he cherishes time spent facing nature and himself, whether it be meditating in Kyoto or visiting Mount Koya. The "big brother" who was the source of trends for Japanese men's figure skating, be it fashion or saunas, has now changed his way of thinking a little.

"I think the basis for maintaining a good mood on a daily basis is the abundance of everyday life. It's not good to be in a hurry. There was a time when I was in a hurry. That's why I think it's important to spend your days off in a good way."

"Of course, I like fashion and saunas," Tomono says with a laugh, but it seems that the next trend among Japanese men might be zen and enjoying nature.

He also says he's into reading.

This season, he was plagued by injuries, and it all started with him reading Higashino Keigo's "Byakuyakou." Since then, he's developed a love for Murakami Haruki's books. He says he's hooked on novels.

Come to think of it... When asked, "Machida, who is Tomono's ideal Olympic athlete, must have performed the program for 'White Night Walk,' didn't he?" Tomono replied with a carefree smile, "Yes, he did."

The interview took place on May 14th, the day before Tomono's 27th birthday. The more opportunities we have to speak with Tomono, who is always the same, honest and speaks his mind without any embellishment, the more results he is producing. I sincerely hope that this will be the kind of season for him.
 
Article published today on Asahi Sports:


Machine translation:

"The key to good mood is the abundance of everyday life" - Kazuki Tomono is addicted to nature and reading

When he steps onto the ice, he first begins to draw a figure eight on the smooth rink. This takes about 15 minutes.

The "figure" in figure skating means shape. Drawing shapes on the ice is actually the basis of this sport.

Tomono Kazuki (27) of the Daiichi Juken Group is now starting his on-ice training with the compulsory skating routine.

As I watched him, I thought of Tatsuki Machida, whom I interviewed 12 years ago.

At the time, Machida had moved to Rinkai Sports Center (Takasaki City, Osaka Prefecture) and was quietly practicing compulsory skiing under coach Onishi Yoshinori, honing his fundamentals. There were still few other reporters paying attention to Machida. Watching him, I wondered if Machida would make it, and he successfully paved the way to compete in the 2014 Sochi Olympics.

Tomono says, "I was at Rinkai at the time, too, and I saw Machida-san working hard." The image was burned into my memory. Is the emphasis on compulsory due to the afterimage of such a memory? It must be that it is directing Tomono towards the basics of skating.

"When I do compulsory, I can tell how I am doing. Whether I can ride the edges well or not. I can tell the slightest shaking or misalignment of my body. It applies to all movements, including jumps, and I can feel my skating IQ improving."

It was a very impressive training session by Tomono. It wasn't a jump, nor a spin. Tomono is now trying to learn the fundamentals of skating that modern figure skating has left behind. And this is even though next season is the Olympic season.

What I learned from Mao Asada

The following happened at an ice show in April.

"Mao Asada also does compulsory skating, so I had a chance to talk to her about a lot of things. I learned that there are many different shapes, not just the figure eight. I was able to talk to her about the many different shapes. I had never had a chance to talk to Mao before, but I was able to hear some really great things, and it was an invaluable experience for me."

For his short program (SP) for next season, which will be the Olympic season, he chose "That's It (I'm Crazy)" choreographed by Shae-Lynn Bourne. It's a danceable number.

"This is Tomono Kazuki's program. Shae-Lynn suggested nearly 100 songs, and I chose this from the ones that best suited me. I think this program has the vision to beat (Kagiyama) Yuma and (Sato) Shun."

I was surprised that Tomono, who doesn't often talk about other skaters, mentioned young skaters like Kagiyama and Sato.

Daisuke Takahashi's seal of approval

For the free program, Tomono chose "Halston" by Misha Ge, a choreographer with whom she has worked for many years. She chose a more evolved version of the piece she used in the 2023-24 season. "It's a program that allows me to pursue results," Tomono describes it as. "It reveals my true self and allows for infinite expression."

It's a simple piano piece, and even one mistake gives the impression that it's impossible to perform. Tomono must pour all of the skills and expressiveness she has acquired over her 20-year skating career into it, and perform it without the slightest flaw. It's a program that Daisuke Takahashi, whom she respects, said he "likes."

With these two programs, he will be facing the season that will be the culmination of his efforts.

"My biggest goal this season is to compete in the Milan Olympics and achieve good results. It will mark a turning point for me, so there's no doubt that this season will be the culmination of my efforts. I won't know if it will be my last until it's over. If I compete in the Olympics, the view I see will change. I think I'll then be able to see what I want to do."

His current obsessions are "nature" and "books."

He says he's becoming more nature-oriented in his private life.

He says he cherishes time spent facing nature and himself, whether it be meditating in Kyoto or visiting Mount Koya. The "big brother" who was the source of trends for Japanese men's figure skating, be it fashion or saunas, has now changed his way of thinking a little.

"I think the basis for maintaining a good mood on a daily basis is the abundance of everyday life. It's not good to be in a hurry. There was a time when I was in a hurry. That's why I think it's important to spend your days off in a good way."

"Of course, I like fashion and saunas," Tomono says with a laugh, but it seems that the next trend among Japanese men might be zen and enjoying nature.

He also says he's into reading.

This season, he was plagued by injuries, and it all started with him reading Higashino Keigo's "Byakuyakou." Since then, he's developed a love for Murakami Haruki's books. He says he's hooked on novels.

Come to think of it... When asked, "Machida, who is Tomono's ideal Olympic athlete, must have performed the program for 'White Night Walk,' didn't he?" Tomono replied with a carefree smile, "Yes, he did."

The interview took place on May 14th, the day before Tomono's 27th birthday. The more opportunities we have to speak with Tomono, who is always the same, honest and speaks his mind without any embellishment, the more results he is producing. I sincerely hope that this will be the kind of season for him.

I knew that Mao Asada is very strong in Figures, I didn't know that Tatsuki Machida and Kazuki Tomono were practicing them too, this is probably part of the explanation for their beautiful skating lines, soft skates deftness and so on. And Figures can be honed very long in a skater's life, unlike "extreme" jumps. Yuzuru Hanyu has never said outright that he was practicing figures, but some of his programs include in fact pieces of figures and I'm sure he does practice them.
 
I say this every season but I really think Kazuki is going to achieve his goals. He has gotten so strong. He has four main rivals to compete with: Yuma, Sota, Shun and Kao. I would say they along with Kazuki are the top 5 men in singles. Now that Koshiro is going into a different side of skating, there is more room. I can see it now. Kazuki at the Olympics. He has what it takes to be an Olympian.
 
This quote from the article a few posts above gives me a glimmer of hope: 'I won't know if it will be my last until it's over.' Although, of course, I don't want Kazuki to fail, I still want him to continue as he's such an interesting skater :popcorn:
I think Kazuki pursuing zen and meditation is a very good strategy. Hopefully it will pay off!
I'm looking forward to seeing his new program.
 
So I guess Kazuki won’t be in the US practicing in the off season? Makes me wonder if Kazuki would ever consider doing some work with skating after retirement in the states not permanently though since that would be too big of a change and he loves Japan so much.
 
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