Lysacek out of Grand Prix; at odds with USFS | Page 10 | Golden Skate

Lysacek out of Grand Prix; at odds with USFS

Sigh...this is my last attempt with you gmyers. I can understand being loyal to your own position, but this is starting to sound like stubbornness without reason.

1. You seem excessively obsessed with one number of rotations at the expense of all else. Thank heavens the quad came along to attract you as a skating fan. Otherwise, you apparently would have nothing to enjoy about the sport. Maybe if there was a separate jumps-only competition at the Olympics, you might find satisfaction. Otherwise, I have to break it to you, these situations will happen again at some point in an event the judges overall quality rather than zeroing in on one aspect of the sport, thus making you apoplectic with rage/frustration.

2. That obsession extends to your repeated misreading of my points. Regarding Oda, I mentioned him to highlight his performance relative to Lysacek and the field and its consistency with his well established pattern of meltdowns and screw-ups. Note I was evaluating all the skaters by that same standard, not what specific jumps they did but that they did not deviate in large part from their usual performance patterns. In the scope of historical record, that's what will matter. Doing quads is often irrelevant for Oda unless he controls his tendency to be a bit of a headcase and screw up the rest of the program. The fact that you appear to not understand that and continue to change the topic of discussion is most frustrating.

3.Gachinski medaled at Worlds in 2011, after adjustments to scores which gave further weight to quads and jumps in general. So what is your point about him relative to how skaters performed in 2010 when he was a junior skater? Also note that in previous comps last year, Gachinksi faltered and had middling placements in his other events where he made errors. Point being, he has a lower magin for error which is entirely dependent on his jumping. When he relinquishes that advantage, his weaknesses in other areas become more glaring. He has yet to prove that his overall skating is of sufficient quality to hold him up when his quad fails him. In Plushenko's case, he was most dominant during a period where most of his competition were almost always mistake prone and failed to skate adequately. He won as much for his overall consistency as he did because of his quads. The quads were a plus, not the exclusive reason he won when everyone around him was going splat in Turin. In fact based on the way everyone skated in Turin and his margin of victory, I'd assert that he did not really need the jump at all.

3. Simply doing spins and steps as if they are throw away moves purely to meet the minimum technical requirement for specific levels has never been the intent of including them in skating. Their individual quality should be taken into account. Something COP has contributed the sport in a more concrete way than 6.0 did. Before people were jumping in earnest, they were spinning and doing steps, edges and turns. It's the foundation of the sport. Being so shortsightedly dismissive of them does harm to the sport rather than help it grow.

4. If performances or placements in previous competitions were wholly determinative of success in Olympics or Worlds, then there really would be not point to holding the competition. National scores are largely arbitrary. Everyone knows that and takes them with a grain of salt. Euro and 4CC scores have had a tendency to be inflated in some cases, particularly for the top finishers. Kwan's very best performances were always at Nationals where she frequently looked invincible, but she still lost big events later in the season during several years, even when she appeared to skate perfectly. Kerrigan had the absolute skate of her life in 94 and still lost. Chen had a very shaky season in 95-96 up to Worlds, often messing up one or both of her programs yet still finishing 1st or 2nd in everything but the GPF. But in Edmonton, she was absolutely perfect and still lost.
 
Maybe if there was a separate jumps-only competition at the Olympics, you might find satisfaction

NO
 
Are you sure, Bluebonnet? Wasn't that the time we got to see Takahashi and Lambiel? And Oda was breaking out as well.

I'm very sure.

To me, Takahashi's reached the height of his career in 2007-08 with his hip-hop version Swan Lake LP and won 4CC. But he came in 4th at 2008 Worlds that year. Buttle won and Joubert came second. I remember the heated debate around quad that time. Though I didn't involve in the debate, I was with Joubert. Takahashi didn't compete the following season and came back in the Olympic season and won the Worlds but that was after that dreadful 2010 Olympics.

Lambiel has won his World title in 2005 and 2006. After that he's lost focus and motivation for quite a while. Even though he has still competed till 2010 Olympics, I think he was struggling with lack of motivation all those years after 2006.

When Oda first bursted onto senior scene in 2005-06, everyone has had a high hope on him and amazed by his lightness in his jumps and his general artistry. He won 4CC and came in 4th at Worlds that year. I don't know which year was his best year? His forgetfulness made him lose nearly half of a dozen winning opportunities throughout his career so far.

I say 2008-2010 was dark-age was because of these reasons:

--the legend Plushenko and his legendary quads had left after 2006.

--Joubert's domination in the entire 2006-07 season and his fearless quads had left the rest of the fields no chance at all. I guess that must be the motive for ISU to lower the athletic standard in order to give the less athletic skaters a chance. That was a mistake!

--Then it came a quadless World champion in 2008 after all those past years progressing excitement in men's skating. Sorry, Buttle! I love you but hate to see a quadless champion.

--2009? Worse. Not only the athletics was lowered than a couple of years before, the artistry was lowered too. Only certain skater's PCS kept inflating.

--Ok, I can ignore all those world championships if only... My last straw was 2010 Olympics. But a quadless OGM has totally destroyed all my hopes for men's skating. Sorry Evan. I like you very much in some ways but just cannot accept a quadless OGM. It was just not up to standard. All Evan fans, sorry, you have to bear with the people who continue to talk about it again and again because of this. Not just me or gmyers.

ISU has realized it. You could say that I've given Evan too much credit for the system changing. I'm willing to give this credit to him. Yes, the method of winning OGM has to be changed. Here we are. The next golden age of men's skating started from Chan!:)

Back on topic. IMO, it makes sense for Lysacek to come back only if:

He could better his technics by adding quad solidly into his program. (I believe that was he's been doing if the info so far was true.)

or he could win a couple international competitions with or without a quad. (I don't know if he could accomplish that.)

It doesn't seem to me that his adrenaline was working and dominating in the comeback process.
 
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Buttercup, the post you quoted from that debate gets to the heart of the debate. The fact is, quads and artistry/complex choreography/other skating skills etc aren't mutually exclusive. But the skaters were treating them as if they were, and therein lies the rub. The fact is, the top of the podium skaters WEREN'T combining everything. So how do you judge a competition when the elite skaters all have a range of glaring flaws, whether it's the lack of a quad, poor/absent triple axels, mediocre skating skills, terrible choreography, etc etc. You do it by measuring the differences between them on each and giving a number.

Plushenko won gold in Turin by a large margin. He won gold because, according to the judges, he was the best at jumping, steps, choreography, transitions, performance/execution, skating skills and interpretation (seriously - go check it out. He came second in spins.... to Lysacek. He also tied Buttle on transitions for the LP, but won the SP's transition scores). Was he? Frankly, I have a hard time seeing him ahead of Matt Savoie in transitions or interpretation, or ahead of Shawn Sawyer in Transitions, etc, but that's not what the judges said. And frankly, it shouldn't have made a difference - his level of skating was so dominant that he deserved to win.

Buttercup, which skaters do you think WOULD have been attempting the quad but didn't because of the rules?
Evan Lysacek :biggrin:

Seriously. I think he would at least have tried one in the LP, despite the famous injury. Also, the guys who were only doing LP quads might have been tempted to try one in the SP, or do a second LP quad. The young guys might have pushed harder to get them sooner (e.g. Brezina, Amodio, Chan despite the early-season injury).

When I say a top of the podium skater should have a complete repertoire of skills and elements, I'm not suggesting said skater should be the absolute best in the field at all of them. I am saying said they should be doing them and doing so well enough that we don't feel there's one area that's weak or average. Let's look at an example from another discipline: Aliona Savchenko doesn't always have the best positions in lifts and spirals, but she does well enough. They have difficult content - no holding back - and creative programs, and when they remember to sync their SBS spins, there is nothing in their skating that's weak. And I realize that sometimes the winner will have weaknesses, or won't do everything I'd like a skater to do. Buttle in 2008 didn't do a quad, I wish he would have, but if you look at the rest of the post I quoted, I thought then and I think now that he was the clear winner, because he had the most positive qualities in his skating in Gotheburg. With Joubert a year earlier, the balance was different but he had the best performances overall, even if they were not 100% everything included with a cherry on top (in his defense, he was recovering from an injury).

I am aware, as jcoates noted, that the pendulum always swings back and forth as the ISU tweaks and finds itself with unexpected consequences. But IMO, what we were getting in the runup to Vancouver wasn't that good technically or artistically; it was skating as run by an accounting firm.

Almost a decade since CoP came in, we are seeing more and more skaters who grew up under this system - I guess they will find it easier to gear their training to what is now required and can thus have a strong enough base that they can take more risks, both technically and artistically.

As an aside, well before the Olympics I wrote that I expected someone to be in the zone and deliver two amazing performances to win. I was referring to the men, but as it turns out, it was Yu-Na Kim. :)
 
Buttercup, I agree that YuNa the one who showed the full spectrum of excellence at Vancouver. She needed every aspect of her skating and was able to call on all of it those two nights. It was magical.

Years ago, when Torvill and Dean skated their incredible "Bolero" program, commentator Peggy Fleming said impulsively, "We are so lucky to be here tonight!" Even just watching it on TV, I shared that feeling. When YuNa skated, I had the same reaction: I felt lucky to see it as it happened. I didn't get that feeling watching the men's final. I was happy for Evan, I was thrilled that Takahashi had made such a comeback after an injury that could have ended his career, I was impressed with Plushenko and grateful to see Lambiel one more time. But I didn't feel that I had watched something amazing. I did feel that with YuNa, and with Virtue and Moir. (And with Shen and Zhao, except for the minute they almost made us all have conniptions when she fell out of the lift. Aag!)

That magic doesn't happen all the time in skating, and it probably happens even less at the Olympics, because the pressure is so great there for the skaters. When it does occur, what a treat.
 
I don't think it's right ever to blame the winner for winning. Lysacek scored as many points as he could. It was up to his opponents to score more. They didn't.
 
I agree with Prettykeys that this thread is getting more and more fascinating--and edifying!

Jcoates, I had never thought about your point referenced above, that most of the skaters in Vancouver skated true to character. What a tremendous way of looking at that competition!

As for your second point, it's true that except in rare cases, the singles OGM is won by a performance that isn't the greatest one ever by that particular skater. Peggy Fleming was dissatisfied with her long program in 1968, and it was really her superiority in figures that clinched it for her. Likewise in 1984, Hamilton's short and long were less than stellar (I think Orser won both? or at least one of them), but he was ahead in figures. Kristi Yamaguchi fell in her long program in 1992. We can all come up with other examples. (Oddly, the silver is frequently won by someone with the skate of a lifetime, notably Elizabeth Manley in 1988, Midori Ito in 1992, and Paul Wylie also in 1992.) It's rare that the clinch night in the Olympics is so breathtaking that it's talked about ever afterward. Boitano in 1988 and of course Lipinski in 1998 summoned up the best they had to take their respective golds, and they both had equally splendid competitors nipping at their heels. John Curry's 1976 long program was in that exalted company for sure. He left nothing undone that night.

That's one more reason I so loved the ladies' long program in Vancouver: Kim had the skate of her life when it mattered the most, and the other ladies in that final six all did amazingly as well, with I believe no falls in the entire flight. A phenomenal night for skating. Sorry it wasn't exactly that way for the men. (...If it had been, Takahashi would have won the gold!)
Ito had the skate of a lifetime in Albertville? :unsure:
 
I don't think it's right ever to blame the winner for winning. Lysacek scored as many points as he could. It was up to his opponents to score more. They didn't.

The problem is that it is a subjective scoring system. If the judges wanted to give Lysacek more PCS, and more +GOEs, and give less to other skaters, they can certainly do that.

I blame the scoring system, blame Lysacek's sneakiness on not honoring the most prestigious element of men's skating like Takahashi did, blame his undeserving high PCS in SP at 2010 Olympics.

To say it plainly, it would have served far better for figure skating in general to have Plushenko be a two time OGM instead of having a quadless one.

I'm sure Plushenko has his share of blame and a lot of what ifs.
 
The Lysacek/Plushenko Vancouver horse has died so many times that I m seriously thinking of building a memorial for it. :)

The only blame I put to Lysacek is that he killed the firebird, apart from that, he did his best.
 
Right off the bat in the free skate all the judges went crazy with high GOE right off the bat. +2 and +3's on spins and steps and he wasn't that good at all. Firebird at the Olympics was done by individuals and pairs and dance teams and the best was K/N in dance.
 
Sorry, backing out now before I become a raving lunatic.

Oh, I do want to see what you'll look like if you turn into "a raving lunatic":laugh: since you've always appeared to be collected, logical, and patient.

Well, you don't have to read my rest of this post since it is still about the quad.:p

I just don't understand why people think that emphasizing quad is equal to asking for figure jumping?

Why can't people at least dream about the harmony between the pinnacle of the athletics and the pinnacle of the artistry? Quad is the human limit (at least for now). It's the distinguish element set apart from ladies' skating. I know that Ando and Cohen had tried quad in practice. But no lady has ever done it in competition. It still is exclusively belonged to men. And it's exciting. On the other hand, jcoates, I bet most of people don't want to see just quad jumps or just the boring jumps. Like you enjoying triples and doubles combined with spins, steps, footworks, and good expressive upper body movements, people who love quads want to see the quad jumps with all those things. And set this quad + everything to be the ultimate expectation and dream and highest achievement. That's only one revolution difference, but it gives so much more difficulty. So much desire and so much thrill to the achievers as well as to the abservers.
 
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... I know that Ando and Cohen had tried quad in practice. But no lady has ever done it in competition. ...
If you mean in senior games you're right, but still, Miki stayed on her feet with her quad sal attempt at GPF '08. It would have been a < jump today and would have received 70% value.
I hope it won't be the last lady's attempt in history.
Someone like Liza will do it someday, perhaps.
 
I'm sure Plushenko has his share of blame and a lot of what ifs.

Plushenko almost won and definetely would have won if his programs would have been created according to the CoP scoring, but they were not, LOL. As the programs were they even got way too high PCS (lack of choreography and transitions).

Buttercup, there are no rules that one should jump every existing jump in a freeskate. Like Mathamn posted "It was up to his (Lysacek´s) opponents to score more. They didn't."
 
I disagree 2008 was part of the dark age in mens skating. 2008 both the winter end of the 07-08 season and fall of 2008 was very interesting with alot of different faces making their mark. Takahashi doing some of the best skating ever by a man at 4 Continents. Lambiel winning the Grand Prix final and coming out of his slump. The exquisite Buttle winning Worlds unexpectedly. I dont know how anyone can slam him as being bad since he is a quadless Champion, a quadless Champion is fine if they are so wonderful in everything else. The real travesty is a quadless Lysacek won a Worlds and Olympics, while a far more talented and superior skater like Buttle only managed 1 Worlds. Anyway there is no way in hell anyone else at the 2008 Worlds deserved to beat him. Joubert, LOL, he was gifted bigtime to win silver there. Then the fall of 2008 saw alot of new names making their mark.

The dark age in mens skating was 2009-2010. Poor quality skating, medicore judging, Evan winning Worlds and the Olympics without great athleticsm or artistry, erratic headcases like Abbott who built you up then let you down. Then concluded by Chan winning events in the fall of 2010 with 4 or 5 falls.

Thankfully the start of 2011 seems to indicate the dark 2009-2010 hole of mens skating is over and entering a positive period.
 
Ito had the skate of a lifetime in Albertville? :unsure:

Yeah, I hesitated adding her to this list, except that she did pull out something extraordinary at a time she could have just crumbled. She even did a triple Axel. This was most likely her only chance to medal at the Olympics, and she managed to do it. Considering the pressure she was under, I would call that the skate of a lifetime...with the qualification that she had other, even better skates of a lifetime--if that makes any sense. It's not worth arguing about the wording, but I just thought that what she did that night deserved recognition and accolades.
 
Getting back to Evan and just for fun, now that the Men's short program at SA has been skated what are your thoughts on how Evan would have placed, given the SP scores of the men,
me thinks Evan if he skated at the same caliber as his 2010 season (and who recently stated himself that he was in great shape) would have placed first in the SP.
 
Bluebonnet I am perfectly aware that most fans want to see quads combined with the other non-jumping elements of skating. I am not speaking out to diminish the importance of the quad or to promote triples, spins, etc. over it. I like the quad, I just don't worship it or see it as necessarily determinative of overall excellence in all cases. But really, that's neither here nor there.

I have a larger point which many here seem to miss. Unsatisfying victories happen and always will. That does not make them less legitimate. Also, the perceptions of individuals concerning such victories will vary.

Everyone is getting bogged down into the details of one event or very brief period in the recent history to the point of obsession. I understand that impulse. Psychologically it's human nature to focus on the present or recent past. However, experience dictates that it is often more important to develop perspective by taking a step back and assessing the wider scope of a situation. Very often that means looking at historical trends and patterns. I'm coming from the perspective of watching skating for 30 years and having a deep appreciation for its history. Anyone who knows me on this forum, knows that I love to dig into the long history of the sport, both for aesthetic reasons and because past events have something to teach us. In this case, we should realize that none of this discussion or controversy is new. It's all happened before with the exact same arguments going back to the beginning of the sport. What is a jump's worth? Should it count more than other things toward the final outcome? How do you determine the winner when everyone has deficiencies? How do you encourage innovation without stifling or losing the fundamental elements of the sport? What is the ideal performance? How do you attract and keep fans?

Evan vs Evgeny is not unique in any way despite people's emotional feelings to the contrary. History teaches us that skating is meant to have these fights and that the sport is designed so that more than one path to victory exists regardless of the judging system or contemporary technical standard of the day.

My point in virtually every post I've ever made here is that while fans of skating (including me) have idealistic expectations of the perfect performance they would like to see the best skaters produce (i.e. quads, flawless triples, beautiful spins, great footwork, imaginative choreography, and that extra special does of magic for singles and even pairs and a program to rival Bolero in dance each and every time out of the ice), realistically that is not going to happen. It's a nice romantic idea that only occasionally happens. History shows us that. It's statistically impossible to get the neat, uplifting cinematic ending every time. Like anything else in life (food, movies, books, music, co-workers) most of what we get will be average to good. The most predictable expectation for top level performances in skating is one which is interesting/exciting and pretty well balanced, but probably does have one weakness or flaw mixed in (many of Takahashi's programs for example) or something that is incredibly steady but generally uninspiring (Lysacek or Ando). None is the ideal; each is attempting to maximize their particular skills.

There is as much value in striving for the ultimate in difficulty as there is in striving to be the very best one can be in that particular moment or in using one's head to craft a thoughtful alternate path to competitiveness. That's how sports works...the mundane and well-practiced or the thoughtfully planned out usually triumphs over the spectacular. What separates me from others is that I find a certain beauty and democratic value in that. Not only can the very best natural athlete win, but so can the less talented, but extremely hard-working ones. So can those who are proficient planning and executing strategy. That diversity of skills and their co-equal ability to win is what makes sports interesting. Figuring out what approach is the very best for an individual rather than blindly or fruitlessly pursue another course simply because it is popular or obvious should not be dismissed as "sneakiness", cheating, unfair or any other pejorative. It's merely an alternative.

What is frustrating about this conversation in particular is the apparent lack of understanding that the rules of sports, or more accurately competition in it's most direct sense, apply to skating as well. Much of the counter-arguments being made against my position are not at all concerned with the facts I've laid out. They center around the emotional, idealistic and largely aesthetic expectations most fans have for what they would prefer to see. Idealism vs realism. Theory vs action. "Evan should have done this..." "Quads should have counted more...." "I hated his choreography..." All legitimate feelings and opinions, but also all constant second-guessing can will have zero impact of what has already happened. What's done is done. Did I want Evan to try the quad in Vancouver? Yes, as long as it was a smart move for him at the time, not in the abstract. No, if it was simply to satisfy the hopes and dreams of one set of fans. AS much as we would like to think so, he and every skater does not attempt to win for us. They are competing to satisfy themselves. Their first concern is doing what makes sense for them specifically, not for the sport in the abstract or us out of some intent to satisfy an idealistic yearning. Tying your efforts to an ideal is noble, but often less successful than tying them to a goal oriented approach. The same thinking applies to any sport. Would I like my Redskins to go out each week and throw 50 yard touchdown passes on each possession because it would exhilarate me? Of course, at least in theory. That is thrilling and exciting. Do I expect it? Heck no. Most of American football is won on the most mundane plays, strong basic fundamentals, good defense, minimum of mistakes/turnovers and total possession time/clock management. Not exactly thrilling stuff, but darned effective when executed properly. That is my point about the quad. I realize all the things you wrote about its nature, its capacity to excite, its status as the current technical limit. I simply understand that in sports, the most exciting or most difficult elements are not what usually determine victory. They highlight it only in certain cases. Most athletic competition is frankly pretty boring to watch unless you really get fine details of the sport in question.

I've frequently refrained from writing this for fear of offending people, but I think it's relevant here so please take it in the spirit with which it is written. Part of the problem with skating fans is that they very often tend to be made up of people who are not generally attracted to or fans of other sports, particularly ones that involve direct competition (i.e sticks and balls sports). That ability to draw in a wider range of fans is part of the inherent beauty of skating itself, but can also lead to problems like this one. Every sport has an aesthetic quality surrounding its ideal form and function. However, that thirst for the ideal to be executed (jumpshot, pitch, touchdown pass etc.) does not supersede the desire to find a path to victory. Most fans of other sports care first about winning (minus cheating of course) first and the aesthetics of how it happens second. The act of competition outweighs how attractive it is and actually the grater source of enjoyment. That does not mean that beauty is irrelevant. It matters. It enhances any competition in any sport. Many skating fans take the opposite view. They default to a preference for beauty first (aesthetic or technical) and expect to lead to an ultimate competitive outcome. That often sets them up for great disappointment. Viewing skating with an art enthusiast's eye when assessing the technical side of things will only continue to create these disputes. Artistic merit and an appreciation of the ideal is obviously important but should not crowd out a sober understanding of the realistic probabilities of what will actually take place. Sometimes you will get Torvill and Dean or G&G or Yagudin. More often, you will get Urmanov or Baiul or Bestemianova and Bukin. Just the way it goes.
 
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I've frequently refrained from writing this for fear of offending people, but I think it's relevant here so please take it in the spirit with which it is written. Part of the problem with skating fans is that very often tend to be made up of people who are not generally attracted to or fans of other sports, particularly ones that involve direct competition (i.e sticks and balls sports). That ability to draw in a wider range of fans is part of the inherent beauty of skating itself, but can also lead to problems like this one. Every sport has an aesthetic quality surrounding its ideal form and function. However, that thirst for the ideal to be executed (jumpshot, pitch, touchdown pass etc.) does not supercede the desire to find a path to victory. Most fans of other sports care first about winning (minus cheating of course) first and the aesthetics of how it happens second. The act of competition outweighs how attractive it is and actually the grater source of enjoyment. That does not mean that beauty is irrelevant. It matters. It enhances any competition in any sport. Many skating fans take the opposite view. They default to a preference for beauty first (aesthetic or technical) and expect to lead to an ultimate competitive outcome. That often sets them up for great disappointment. Viewing skating with an art enthusiast's eye when assessing the technical side of things will only continue to create these disputes. Artistic merit and an appreciation of the ideal is obviously important but should not crowd out a sober understanding of the realistic probabilities of what will actually take place. Sometimes you will get Torvill and Dean or G&G or Yagudin. More often, you will get Urmanov or Baiul or Bestemianova and Bukin. Just the way it goes.
Jcoates, I'm afraid I can't address your entire post. I appreciate your writing on this subject, especially as you have been following skating for far longer than I have. I agree that what we want to see and what we can realistically expect to see won't always be the same.

On the subject of other sports, it's true that not many sports blend art and athleticism, at least not to the degree skating does. Personally, I was really into team sports when I was younger but eventually was left with skating and baseball only - and the calendars compliment each other nicely. I see these as completely separate interests; other than the fact I have favorites in each (being a Braves fan has been very good prep for being a Joubert fan, and vice versa :biggrin:), I get very different things from watching a baseball game than I do from watching skating, and I have different expectations as a fan. But while I do appreciate the fundamentals that go into both, sometimes you do want a special play, a special performance - a thrilling comeback, a no-hitter in the post-season, a Yu-Na OGM type skate... and I think we do appreciate our champions more - regardless of the sport - when there's that something extra, and Evan Lysacek didn't do that. I mean, he did if you're his fan, but that derives from the joy of seeing a favorite win, not from the greatness of his performances in relation to past skates.
 
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