The most wonderful thing about Mao's Rach 2 at Sochi is that it was the first performance I ever saw that I really felt transcended the idea of a score. It was a spiritual experience to watch and I just immediately connected with it as a great athletic and artistic achievement that was still somehow down to earth and full of sincerity and humanity. I cried because of it's beauty and how poignantly it mirrored the peaks and valleys of life. But still, I was really angry about the scores, so I am probably contradicting myself. Now, one side of me never thinks of Mao's programs in terms of scores, and the other side is usually upset that they aren't as high as they should be.
I never thought about the Olympics when I watched Nocturne at Worlds. It is just so beautiful, balletic and athletic that it makes me cry. I love it when she smiles in the middle of the program while extending her arms like she's embracing the audience.
I found this fascinating video with a divided screen that compares Mao's jump sequences in her SP at Vancouver to her Nocturne at Worlds and then compares her Bells of Moscow jumps, and those in her 2008 programs to her Sochi LP. After that it, shows a split screen of Mao's Rach 2 at Worlds LP on the right and her Sochi LP on the left. This proves that her speed was pretty much identical in both programs.
http://www.youtube.com/watch?v=3I7ql7kev5o