I love everything Michelle. Plus, about great but overused classics, it's not like I go to the opera every other day so that I am tired of hearing this wonderful music.
That having been said, however, Michelle made a name for herself during her collaboration with Lori Nichol for chosing equally wonderful music which no one had ever heard of. How many skating fans were familiar with 20th century British composer William Alwyn, or knew that he wrote a harp concerto (Lyra Angelica); how many people even know where Azerbaijan is on the map, much less anything about the composers and music of that country (Taj Mahal).
So this gave the young Michelle's performances an extra dimension -- what wondrous thing will she show us next?
As Michelle grew up she naturally wanted more input into her music choices. (I am a little bit disappointed to hear that Tosca was Morosov's selection, not Michelle's.) Thus in the last couple of years of Michelle's work with Nichol, especially in the case of the Song of the Black Swan, I felt that Michelle was fighting the music instead of embracing it.
I love every note that Puccini wrote. But there are a thousand other composrs who also wrote great music. Four minutes worth, anyway, LOL. I miss getting a little music lesson, along with the skating, every time Michelle takes the ice.
Mathman